つをー 0 KONG: SKULL ISLAND IS reportedly a reb00t ofthe original KingKong from 1933. At the same time, it features a ton ofdinosaurs and prehistoric cre epy- crawlies in a not-so-subtle nod to 川豆 c ル ( 1993 ) ・ The presence ofhelicopters, napalm, psychedelic rock and tWO characters named Conrad and Marlow mean you might equally consider it a remix OfA. ア 0C4 ケ 2 ビ Ⅳ 0 ル ( 1979 ) or its source material, H ビ 4 0 工 Da れお 5. I alSO caught trace elements ofF ビ 0 ( 2004 ) and Tora! Tora! Tora! ( 1970 ). The resulting film bears S01 れ e relation tO the menu at my local Chinese restaurant, which lists "soup with sweetcorn, soup with noodles ” and Beast ofAll Possible Worlds soup with egg drop ” before re aching—with an air Of King Kong is back, but he's not summary exasperatlon or exhaustion— soup with everything. " That's pretty h 叩 py. Should you be? much what we get here: soup with everything ・ We start in Washington, D. C., where a bearish conspiracy nut (J0hn filmmakers judged it to be half your characte rs devote the threshold ofthe great G00dman, naturally) is the one peri0d so whacked most oftheir screen time tO unknown, guns drawn, petitioning his senator for out on drugs that nobody exploring the motivation s and start blasting. The film money tO explore an island would raise any objection ofthe other half, you know begins where most Kong in the South Pacific with to the plot. Also along for something iS am1SS. movies end: with the giant his team ofgeologists. He the ride are a British Special H ow diffcult c an it b e to ap e swatting aircraft from is grante d the protection Air Service offcer and get people t0 go t0 explore the skies as ifthey were flies. of a full Army helicopter j ungle survival expe rt (Tom an island? But then the And SO the team is squadron, loaded to the Hiddleston) and a magazine film, which was directed by stranded, as Goodman gills with napalm and photographer (Brie Larson). Jordan Vogt-Roberts from puts it, on Skull lsland, machine guns, led by an lsn't this a little small for place where myth and a script by Dan Gilroy and lrascible lieutenant (Samuel a T わ photographer?" SC1ence 1 れ eet. ” Or as I came Max Borenstein, iS driven L.Jackson) fresh from the Hiddleston asks her. "How less by curiosity about to think ofit, the Land fields ofVietnam. The did British special forces exploring the gre at unknown Where Backstory Goes to whole movie is set in 1973 , get dragged int0 this?" than by an urgent need to Die. Everyone has to fight quite possibly because the Larson asks him.When have everyone arnve at through gre at thickets of 0 0 THE SCREENING ROOM N E W 5 W E E K 62 M A R C H 17 , 2 017

れい矗 THE BUYER My PreC1011S uve S founder Bibi van der Velden picks wearable works of alt Thejewelrydesigner Bibi van pieces ofjewelry—pieces she derVelden had an international called"wearableworks ofart. upbringing: Born in NewYork,and Last year, she expanded,launching raised inthe Netherlands andthe Auverture, an online portal selling British countryside, shetrained as fine jewelry by designer-makers a sculptor in Florence,Amsterdam from aroundtheworld—chosen, andThe Hague.In 2005,with a shetells me,for"the storiesthey sculptor's appreciation 0f the tell through their designs. " Here, she explains the stories behind intricate techniques necessary three pieces she's currently tO working with stone and precious metals, she began t0 make one-off stocking. —MAX FRASER ロ 〒Ä TE Enigma, Barcelona Spain s most anticlpate d re staurant 0f2017 opened in January. The fifth project in five years from Albert Adriå—though less well- known than his brother Ferran, he contribute d gre atly tO the gastronomic revolution th at was elBulli—Enigma lives up tO itS name, cultivating a sense Of mystery that makes it more an experience than a re staurant. IN THE ROOM Makethatrooms. Over the course ofdinner, guests move through a series ofspaces, each one ShOVi ℃ asing a different aspect—or enigma"—ofthe dining experience. Designed by BarceIona firm RCR Arquitectes, the gelid, silvery spaces feature ceilings that 100k like low-hanging fog. "Think Superman s ice cave, says EI P げ市じ 0. Diners are ON THE TABLE aske d to refrain from publishing image s, and details about the 40-plus courses—most ofthem small, vivid bites—are sparse. But in its awed list, 7Canfbales.com gives a sense oftheir impact and re ach :"exotic liquid bonbons 0f mango and rum... strawberries transfigured by North Africa... spheres ofparmesan lmmolated on a citrus fire. " An intensely acidic COCktail 0 、 harmonizes, according tO Gastroactitud.com/"with the oyster and diakon 。 1 れ lrror , a marvellous mouthful. " For E / ル属 the blini cannelloni with cheese, and the sea cucumber in pil pil sauce made from lberico ham, are "splendid bites. ” Already, 窺げあ市 co has asked,"Who will be the first to say ーー it? That thing about'best restaurant ・ - mthe 、 ー N B R IEF elBulli 2017. —LISA ABEND DIAMOND OCTOPUS EARRINGS By Gaelle Khouri "GaeIIe is a risingtalent in Lebanon. Her combination of materials—white diamonds and baroque pearls, with the tentacles made in 18-karat white and rose gold—works beautifully, and the mechanism is cleverly integrated intO the design, with the head Of the octopus locking around the ear.' も 31 , 280 ( $ 33 , 250 ) OMBRÉ FOSSILIZED WALRUS NECKLACE ByMonique Pean 'Monique has a sustainable approach t0 jewelry-making, using on ツ recycled go 旧 and fossilized bones. Here, she's framed a slice Of fossilized walrus ivory that's tens ofthousands ofyears 0 旧 and mottled with different colors—it's as iftime has seeped into the material. ” ℃ 9 , 350 ( $ 9 , 926 ) 第ゞ NILA RING By Noor Fares "Noor Fares's new collection is inspired by the kaleidoscope. HeödéSigns are h 計 0 一目 nd -ge om etri c, but nature: This ring could be a honeycomb, and any potential harshness is softened by the multiple colorings ofthe stones. も 5 , 044 ( $ 5 , 355 ) Prices include tax in Europe and U. S. : AUVERTURE.COM も 220 ( $ 233 ) per person, ENIGMACONCEPT.ES NEWSWEEK 59 MARCH 17 , 2017

BEDSIDE TABLE -MietTha れ W N g u ye れ ; a u t h 0 r, and the elite, predominantiy "lread lnvisible Man by Ralph white, private schools EIIison ⅲ college and was ー attended.l had an struck by its ambition in articulate sense thatl did depicting African-American not belong ⅲ these places, history through one person's but who ー was, and whatl experience. When it came tO be time tO write my no 可 wanted in life,l didn't know. ー went tO the University The Sympathizer, about an everyman WhO stands in for Of CaIifornia, BerkeIey, the Vietnamese,I used it as which turned me into an intellectual and gave me the a guide. basis to be a writer; ⅵ s 厄 lnvisible M ョれ was written ル atl was one Of many in 1952 ; it's about a young books that transformed me black man who doesn't because ー had never read understand WhO he iS in a anything like it. white society. Though the high school, l'd read novelis about what it means 」 ames 」 oyce and William to be black, it's so about Faulkner and admired them, how tO find your identity butl didn't think ー could and hOW tO rise above become a writer because Of various factions that want them. As a person Of CO 「 , to determine your fate. lt's ー found C0n1010n ground with ⅵ sib 厄 Man. 代 was the part 0f my literary education that made me feel thati had a place in the literary universe, not just as a spectator but as a participant. EIIison's presence iS less visible in my new b00k, The Refugees, but some of the themes of duality and dislocation that a about feeling invisible—as black man feels in American if peopie dO not see you society are present fO 「 fO 「 whO you are—and not refugees t00. From lnvisible recognizing yourself as a Man, one can see that these 「 esu に The Sympathizer matters are not new. That's is about a similar kind of depressing, but the positive person, WhO iS invisible in aspect Of knowing history is the sense that he's a spy and tO show that we've overcome always hiding, and therefore xenophobia in America he can't recognize himself. 代 was an exaggeration Of my before,through solidarity and 厄 g action. NOW,I think experience g 「 0 、ー ng up as a we are backsliding a bitt but refugee ⅲ America.I felt like the 厄 sson ⅲ iiterature and ===. •spyinmy pa rents 、 h ouse history is that you can seek because ー was an tO transform society." —AS butl felt like a spy ⅲ the し S 、 TOLD TO ELIZA GRAYN because ー was a refugee. ー grew up in San 」 ー℃ alifornia, in three environments: a Vietnamese refugee community, an immigrant neighborhood sees something vitalin RaIph EIIison's 'lnvisible Man' I FELT LIKE I WAS A SPY IN MY PARENTS' HOUSE— BECAUSE I WAS AN AMERICAN. N 0 S 0 っ工聞 S3 b'N V 工 1 33 工 N V 9 6 V 当 83 ら」 1 d 01 VN 08 」 The Refugees by Viet Thanh Nguyen is out nowwith Corsair at 兄 13 ( $ 25 ). NEWSWEEK 61 MARCH 17 , 2017

Newsweek MAR c H 17 , 2 017 / v 0 L . 16 8 / N 0 . 10 ー N T E R N A T ー 0 N A L BAD TRIP: PeopIe wait at a streetcar terminal in OkIahoma in 1939. ノ Victor Hugo Green wanted to treat his African-American readers like ordinary travelers, but the raison d'étre Of hiS b00k was that they were anything but. ーをい一を N E W W 〇 R L D Tires The Re-Tiring Sort 46 Uber Running Red Lights 49 HeaIth They Know Why You're Sad. 50 PoIIution Toxic Underground 44 D E P A R T M E N T S 0 W E E K E N D F E AT IJ R E S 54 The PIace to Be TEFAF, Maastricht 56 lnterview Marin Minamiya 59 The Buyer, The 狛 ste 「 Bibi van der Velden, Enigma, Barcelona 60 Books Erik Madigan Heck, Viet Thanh Nguyen Screening Room, Radar Kong: SkuIIIsIand, Room 29 64 Parting ShOt Cannes, 1956 引 G S H 〇 T S 22 Mad Rush ls the world running out Oftime tO contain N01th Korea's Kim Jong Un? 切窺″ Powell The 0 「 g 「 ound RaiIroad 28 A travel guide from the Jim Crow era often meant the difference between a hOt meal and a vicious beating. Springtime fO 「 Petry MOSUI, lraq Baring Arms Lyon, France Le Pen Quotidian? Ofra, West Bank DraggingTheir Feet Arbin, Syria Gray Gardens 4 ・ 8 1 62 38 As her rmght-wing party rmsesin theGermanopinion poll is Frauke Petry the most dan erous nationalist in Euro e? 切 7 ・ 7 Sc ん在 , 硯た COVER CREDIT: PHOTOGRAPH BY KENAY/REUTERS Newsweek 0SSN2052-1081 ) , is published weekly except one week in 」 anuary, 」 uly, August and October. Newsweek (EMEA) is published by Newsweek Ltd (part Of the 旧 T Media Group Ltd), 25 Canada Square, Canary Wharf, London E14 5LQ UK. Printed by Quad/Graphics Europe Sp z 0.0. , Wyszkow, P01and ForArticle Reprints, Permissions and Licensing www.lBTreprints.com/Newsweek A GEO N E. ーー一- Trump Deal With は 16 CarteIs 訓 of Lies 18 Arctic Putin on lce 12 FOR MORE HEADLINES, GO TO NEWSWEEK ℃ OM 1 N E W S WE E K M A R C H 17. 2 017

shabby apartment building 仕 om which a faded mar- quis for the H0tel Fane extended like a vestigial limb. The Hotel Fane advertised in the G れ B00 た , touting its presence in "the Heart Of Harlem, ' as well as bOth h0t an CO water lll the rooms. SO e ′ビど〃 00 was the desegregated YMCA on 135th Street—"the living れ Of the Harlem Renaissance,' as it was known— where Malc01m X lived for a time. Taylor estimates that there may be as many as 700 Green B00 た sites in New York City, some 0f them famous, like the Savoy Ballroom, but most having long faded into oblivion: a millinery on Manhattan Avenue named Beulah's, a tav- ern called the C010nial Krazy House, on what I imagine was a stately stretch ofBradhurst Avenue in Harlem. The G 尾ビ〃 B00 た created what Taylor calls an over- ground railroad," used by the progeny 0f those who may have relied on that other, more famous railroad offering passage out 0f slavery. The Underground Railroad promised freedom; the G B00 た promised something Just as fundamentally American: leisure. Taylor has spent the last several years photographing G 明 B00 々 locations for her website while planning a much larger project she hopes will grant the G B00 た the cultural prominence it deserves. Her task is made diffcult by the fact that e ach e dition of the G 尾 B00 た offirst entering smalls. Fats Waller and Ray Charles per- formed there. lt was also a site Of racial nuxmg unique t0 the Harlem Rena1ssance: The early civil nghts leader 、övT. E. B. DuBois, for example, was feted at Smalls on his 3rdb1rthdaybyPauIRobe son an e lns eln. ln later years, the club was owned by basketball great Wilt Chamberlain, but he shuttered it in 1986 , as the neighborhood was pummeled by poverty, drugs and neglect. The IHOP opened in 2004 , when Harlem S fortunes were ascendant once again. lt iS supposedly one 0f the most popular lHOPs in the United States, but it is otherwise no different than its 1 , 650 peers. There is no inside or out, that this was ever anything but a pancake restaurant. After a few minutes Of waiting, I watched as a diminutive, well-dressed woman walked intO the restaurant. Candacy Taylor was not there tO eat sug- ary crepes either. Taylor is trymg t0 catalogue every Green B00 た site across the United States. She wants tO make that invisible map visible again ・ Smalls Paradise was such a site, one Of hundreds in Harlem. The windows of the IHOP looked out at a SOUTHERN DISCOMFORT: The Green Book, first pub- lished in 1936 , grew each year in a primitive form 0 「 crowd-sourcing, as travelers submitted new discover- ies 0 「 reported that establishments listed had closed. 十 COLORED A 田冊 ROOM PRIVATE PROPERTY\ ロ ル 0 PARKING 一一 45 keeping 0 31 N E W S W E E K M A R C H 17 , 2 017

P E G Y P T A G TRUMP C A R T E L S IRAQ N A R C T I C DEAL WITH 打 part: working with Congress orders. Now comes the hard his first month issuing executive President Trump has spent IN 1987 , Donald Trump helped create his image as a master negotiator with his best-selling bOOk, The Art ど Deal. Never mind that his ghost- writer, Tony Schwartz, says wrote virtually all of it. Either way, the book includes an mportant lesson: NOt every deal goes well. "I never get t00 attached tO one deal or one approach," Trump (and Schwartz) write s. 。 For starte rs, I keep a lot ofballs in the air, because most deals 信Ⅱ out, no matter hOW promising they seem at first. Trump will soon be juggling as fast as he can. He and his White House team will be working on multiple deals, 仕 om defense spending to health care. And theywill be sitting across the table from not one party but 535 independent actors—100 members 0f the Senate and 435 members of the House 0fRepresentatives. Trump often plays the Rolling stones' "You can't Always Get What You Want ” at his rallies, and when it comes to Con- gres s, the s ong is fitting. N E W S W E E K Even though Republicans hold majorities in b oth chamb e rs , Trump's path to getting what he wants is strewn with hazards. Senate rules allow the minority party—in this case, the Dem- ocrats—to thwart lOts ofdeals with just 40 votes, so Trump will need to reach out to the likes of Chuck Schumer, the Senate minority leader and fellow New Yorker, who is under enormous pres- sure from progre SSive S tO re SiSt eve ry Trump entreaty. Much Of the president's agenda won t please Republicans either; they aren't even fond ofhis massive budget cuts. But the biggest obstacle Trump faces IS math: His cuts need tO pay for his massive tax reductions and defense spending—and that won't be easy. So far, all that's come out of the White House is a broad outline. ln March, the administraüon will release a slightly more detailed budget plan to Congress. But 仕 om where things stand, here's the likelihood 0f Tntmp getting the de als he desires. 12 M A R C H 17 , 2017 E 当 @mattizcoop MATTHEW COOPER BY S Y R 工 A

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LAW AND BORDER: Despite DonaId Trump's claims tO the contrary, a fin- ished barrier across the Mexico border won't stop the 升 OW Of drugs and dirty money intO the United States. created over time by b0th Republicans and Democrats tO reassure a frightened electorate. lt was meant tO prevent the flOW Of Latin Amer- icans wh0 want t0 illegally cross the border, and tO StOP t e rug ra cklng orgamzatlons across the border—both the South American producers and the Mexican distributors—that peddle their products and launder money. Despite the wall, the Mexican cartels have long managed to get drugs into the し S. by a variety ofmeans: catapults, hang gliders, under- ground tunnels, even submarines. And drugs from Mexico often still enter the United States through Offcial border crossings: With more than half a million people entering from Mexico into the し S. every day, it s impossible t0 check every car, motorcycle, truck and tour bus. Narcos often attach coke tO the underside Of vehicles that have permits tO cross the border in a speciallane; the best couners are those whO don't even know they're smuggling. They are even able to hide the odor ofcocaine—and fool drug dogs— by adding coffee or cayenne pepper t0 the outside of the packages. Once the vehicle makes it to the other side of the border, they find ways t0 retneve the drugs. As long as the U. S. remains the world's largest consumer Of coke, and as long as Mexico continues tO provide it, no wall will ever be able to stop the trade. SO far, the wall hasn't even stopped the flow Of undocumented immi- grants whO atte mpt tO cro ss the bor- der, risking their lives in the desert and enriching the human traffckers wh0 are controlled by the cartels. These mlgrants are crossing in search of honest work, of a better life for their families. Some are even fleeing the violence caused by the drug war ・ A W YO IT SE Contrary tO Trump s racist innuendo, they are not cartel members. But the wall has allowed the narcos tO exploit some Of them: If a migrant doesn't have the $ 1 , 500 tO $ 2 , 000 required tO pay a coyote, he can eliminate his debt by putting cocaine in his bag before crossing the border. The wall hasn't stopped laundered cartel money either. A 2012 study by two C010mbian economists, Alejandro GaVIria and Daniel Mejfa, revealed that 97 ・ 4 percent of drug traffcking ー C0101 れ bia iS laundere d byAmerican and Europe ambanking networks througlvdiverse financial operations. The case of Wachovia is a glaring example. Between 2004 and 2007 , several million dollars passed 仕0ⅲ-th0 ・ 'C0fferS0ftheSinaIoæcartel int the bank accounts of Wachovia through c ca 襯 0 (currency exchange offce s). The se Mexican Offces would receive the cash, open accounts managed by a Wachovia branch ⅲ Miami and electronically transfer the money intO accounts in the U. S.Wachovia didn't respect the antl-money-laundering protocol in the transfer Of more than $ 378 billion. Ofthat enormous sum, at least $ 110 million came 仕 om drug traffcking and ended up in international banking networks. ln 2010,Wachovia negotiated a $ 160 million settle- ment ( $ 110 million in forfeiture plus a $ 50 million fine) with federal authorities. But that figure is pal- try compared with the bank's earnings ・ Everyone—the narcos, the banks, the casas de cambio—profited despite the wall because smug- glers no longer cross borders With suitcases Of cash. Now money is moved directly 仕 om Mexico with a click. Yet recently the Clearing House, an ALL SENDS A MESSAGE: ARE WORKING FOR , AND WE ARE DOING ONCRETELY. YOU CAN IT, BRICK BY BRICK. association that represents the largest American banks, announced it plans tO propose a new sys- tem Of anti-money-laundering rule s tO the gov- ernment. This system would reduce the current reqmrements (which include the completion 0f a report on every transaction that could be crim- inal) , thus lightening the bure aucratic and finan- cialload that banks bear in order t0 respect the current anti-money-laundenng protocols. "What we are witnessing today is the renewal Of the American SPlrit, Trump said- Whis speech t0 Congress. But a wall is not part Of that spirit; it s part Of a darker, more cynical tradition, one not in line with those inalienable rights cited in the Declaration oflndependence: 1 ife , libe rty and the pursuit of h appinesszRights that the Founding Fathers recognized for all men, not only Americans. ロ P A G E 0 N E / C A R T E L S NEWSWEEK 17 MARCH 17 , 2017

P A R I N G S H () 'Rogers & Hayward, Cannes' Edward Quinn cutlery is clean, but it already 100kS like the end ofthe night. And Quinn has fixed upon his prey. On the nght, Susan Hayward, in town to receive an award for playmg drunk in ア〃 Cry 襯 0 ″ 0 ル . On the le 代 , Ginger Rogers, a star since the 193 OS, struggling tO mamtain her magnitude. Rogers has been around the block a few times— backwards and in heels—but Hayward is the one wh0's tottering. As she exhales he r cigarette smoke, she is a month away from divorcing her actor husband, who threatened her, threw her into the pool, BY WILDEBEESTS HAVE the Serengeti. drove her close tO suicide and is, at this MATTHEW SWEET FiIm stars have Cannes. There's the moment, lOSing a paternity SL11t against CarIton Hotel for a water hole, the Bou- an extra in one OfhiS W1fe'S pictures. levard de la Croisette for pursuit and an What are these women discussing? annual hunting season in May. Plenty. Rogers 1S preparing to separate Edward Quinn, the man who took this from husband NO. 4. Perhaps Quinn has shot, was the most charming predator. caught her ⅲ the act ofcounting them on her fingers. He's caught something Leopard-lean, with a persuasive Dublin purr, he prowle d the Rivie ra, taking else t00. Four years after this party, Federico Fellini's 4 Dolce ⅵ地 came liberties as well as pictures. He hid in Sophia Loren's bathroom: She lolled for tO Cannes tO win the Palme d 'Or and him on the bed. He laid siege outside introduced a new word tO the language : Kim Novak's door: She sent out for 2424m220 , after its ruthless young street croissants, then let him watch her pack snapper. lt showed Quinn something he couldn't admire. He lost his taste for a suitcase. His real talent, though, was for padding by the chase. SO did many ofthe stars. But unnoticed. This shot is from here, in this photograph, everything WHAT ARE the festival 0f1956 ー the year seems right. Their presence, his THESE WOMEN that Diana Dors matenalized presence, the V1ewer S implied presence. DISCUSSING? in turquoise fox fur and lnhabiting the night, natural as nature. ロ the S oviets detonated their P LENTY. first blond bombshell, lrina Sk0btseva. The Carlton's SiIvergelatin print: 16 x 20 inches, も 1 , 550 ( $ 1 , 640 ) from EDWARDQUINN.COM NEWSWEEK 64 MARCH 17 , 2017

BIG SI-I()TS でエオ第了 ー 1 SYRIA G ray Gardens Arbin, Syria—A man waters herbs on hiS roofin this rebel-held town in the Eastern Ghouta region, near Damascus, on March 3. lt's been six years since syria's CiVil war began—a conflict that started as a series Of nonviolent protests but quickly morphe d intO an international crisis that's killed hundreds ofthou- sands and left much ofthe country in ruins. Recently, Amnesty lnternational reported that forces loyal to President Bashar al-Assad hung thousands ofpeople after a series ofquick sham trials. Assad has long said his soldiers treat detainees law- fully, but the report offered more evl- dence ofmass killings by the regime. 第ます AMER ALMOHIBANY イ・・ニト