L EG E N D ! 8 WI M B L E D 〇 N V ー C 丁〇 R ー E S. 19 GRAND SLAM@TITLES. watch iS a witness tO a player whO stands alone as the greatest in the history Of mens tennis. Worn by a legend who continues his incredible journey, rewriting the records, again and again, with his signature precision and grace. ROIex congratulates the incomparable Roger Federer on his historic 8th WimbIedon victory and 19th Grand Slam@ title. lt doesn't just tell time. lt tells history. ROLEX

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TIME VOL. 190 , NO. 5 ー 2017 3 ー Conversation 引 For the Record News from the し S. and around the world 5 lWhat comes after the Senate's failed effort to repeal Obama's health care law 引 Facts vs. alternative facts ユ例 MeralAksener, Turkey's IronLady ユ 2 ー Pamplona's annual bull run 1 引 Wildfires scorch southern Europe 16 llan Bremmer on the Arab world's sole working democracy What tO watch, read, see and dO 4 引 GirIs Trip is worth a trip tO the movie theater 4 引 The best Spider-Man movies, ranked 4 引 TheLast ' 1 ン C00 れ” Amazon S spin 0 Ⅱ F. Scott Fitzgerald's unfinished novel 501 Ryan Gattis' thriller Safe, and a historyofsixfamous womenbased on whatthey ate 52 ー 8 Questions for formerVice PresidentAl Gore The Brief 3 蘚ド " The View ldeas, opinion, innovations 1 引 Tears and the athlete's psyche ユ釧 The real origins Of summer vacation 20 ー Former Microsoft CEO Steve Ballmer mlnes government statistics for hidden truths 2 幻 David Von Drehle on "the Angel of Death Row ” Members 可 UlsterRifles wait tO evacuate Dunkirk - 斤 01 れ 0 れ improvised pier oflorries 砒 low tide 0 〃 e 1 , 1940 Ph0tograph 妙 March ofTime/ The LIFEPicture Collection/ Getty lmages; CO ー orizatio れ by Sa れれ Dullaway forTIME The Features Malls of America ロ The D 題れⅳ The Secret One-quarter ofall Spirit History U. S. mallsmayclose The U. S. readied federal The summer's biggest over the next five years agencies and even movie take s place during as our shared spaces WorldWar ll's darkest the military against continue tO move online Russia's efforts tO turnBy Stephanie ByJosh Sanburn 30 undermine the 2016 Zacharek 36 presidential election Q&Awith director ByMassimo Christopher N01an ONTHE COVER: Ph0tograph courtesy Calabresi 22 ByElizaBerman41 ofWarnerBros. TIME Asia is published 可 TIME Asia (Hong Kong) 凵 m . TIME publishes eight double issues. Each counts as 20 of 52 issues in an annual subscriptlon. TIME may so publish 引 extra issues. ◎ 2017 Time Asia (Hong Kong) l_imlted. rights reserved. ReprOductlon inwhole orin partwithoutwritten BHmission is prohibited. TIME and the Red Border are protectedthroughtrademark regtstration inthe U. S. and inthe countrieswhere TIME magazinecirculates. Bureau of Circulations. s : げ the (x)stalserviæs a に代 us that your magazine is undeliverable,we have no further obllgatlon unless ℃ receive a address Wlthin two a 「 s. CUSTOMER SERVICE AND 24 / 7 紀 e , 聞ー n 期・代一 ~ 5 曲 , ~ 、 t わ / / 物 w. れ e ー加 . c / 、 . rp ・ You m a 0 email ourCustomer Services Center at 日期ⅵ′魅än冶asla.com 併 call ( 852 ) 312 & 5688 , orwntetoTmeAs 旧 (Hong Kong) Limited, 3 〃 F, 0 0 「 d House,Taikoo 曰 aæ , 979 Klng's Road,Quarry Bay, Hong Kong.ln 」 a n , thesea 「 ee れ 4 ⅵ′å nQi れ冶ね . co れ 10 「 012066 236 ( 斤託 Dial) 0 「 2-51-27FAtago , Minato-ku,Tokyo 105 227. Ad 朝 : Forinformatlon and rates, Hong KongTelephone ( 852 ) 312 & 5169. Orvisit: ゼ01可れ0.com/れ漏始物忙 ReBfiTt: lnformation is available attime.com/dnwreprints. To request custom repnnts,vlsitdmerepr/n&. G0宿ル M 伽胸 t : We make a 虍 on ofourmailing listavailable to reputable firms. げ u would prefer that 、肥 not include your name, please contact ou 「 Customer Services Center. TIME Asia is edited in Hong Kong and pnnted in Singapore and Hong Kong. MCI (P) No. 058 / 08 / 2016. Malaysia KKDN permit no. PPS 676 / 03 / 2013 ( 022933 ). 2 TIME JuIY31, 2017

を対 : = 朝 1 0 H R ー S す 0 P H E R N 0 [ A N ' S G R E A す W A R B Y E 凵 Z A B E R M A N No れ , 46 , as built 0 career making smartfilms 市砒 are so blockbusters. His 10thfeature, Dunkirk, the British-American director's most ambitious yet. He spoke t0 TIME 0b0 砒 how 0 れ d why he made thisfilm OW H ー S 10 R ー C A R E S E A R C H Ⅳ 0 〃 0 れ d va Hoytemapored overphotos た e these as well as newsreelfoo tage れ d firsthand accounts. But 市 avoided direct replication. ' ア ou come up with 0 language 市砒沁 not self-conscious 0 れ d thatfeelspure, ” says va れ日 0 ア tema , ツ ou enter 0 scene andjust believe れ . ' part Ofthe national DNA. lt's in your bones as a Over the past decade, you've made movies BritiSh person. You receive the story first in its that take place ⅲ the DC Comics universe, more mythic, somewhat oversimplified terms. within the human subconscious and 0 収 t in The more you find out about the reality ofthe space. Why come back tO earth, tO history? Dunkirk is one Ofthe great untOld stories in evacuation, the more you find out ab out the modern C1nema. Having made a trip on a small me ssy historical truth of the thing. boat across the Channel about 25 years ago, the roughness ofthe water, the sheer physical DO yo 収 think there's a particular reason challenge of making that crossing—but without why the story hasn't been 亡 01d ⅲ film? Yes, I dO. What I realize in retrospect is this is anyone dropping bombs, without traveling a British 61m ー it has no Americans in it—but f intO a war zone—cemented in my mind an ま extraordinarily high level 0f admiration for the it needs the Hollywood studio machine t0 be able to make something technically on the people wh0 ⅲ 1940 just got 0 Ⅱ those little boats scale that's necessary tO dO this storyjustice. and came over tO help the soldiers. l've always seen Dunkirk as a universal story, something that anybody could relate to. But Growing up ⅲ Britain, what was your the reason why it hasn't been made before is it perception Of the events at Dunkirk? ln Britain, you grow up with this story. lt's really requires such massive resources. 41

HOW did yo 収 approach research? We tried to not slavishly re-create photographs that we'd seen. We tried tO lOOk at enough material and absorb it SO it was in the back Of our minds. Then we tried tO construct our own visual language for how to portray these things, tO give the audience a sense Ofthe paradoxical geometry Ofthis event. You have lines Ofmen queuing out tO the sea, lines leading tO nowhere. We tried tO use symmetry and organization tO express the almost bureaucratic nature ofsome ofthe horror ofwhat was going 0 Ⅱ・ HOW did that influence how yo 設 filmed? There are very few "God shots. ” Everything is about trying tO have the camera there on the beach with the soldiers. ln the aerial sequences, the camera is always in the COCkpit or mounted to the plane, always somewhere where it would need to be to photograph that kind of combat. And on the small yacht crossing the Channel to come tO the rescue Ofthe men, we almost never take the camera offthe boat. Everything is shot from the point ofview ofthe characters. Why did yo make this movie now? This tale is about the idea ofhome. lt's about the desperate frustration Ofnot being able to 42 1 H A ー W A S ー H E 0 H 0 ー C E : S リ R R E N 0 E R 0 R A N N ー H ー [ A す一 0 N . TIME JuIY31, 2017 get t0 where you need t0 be. We live an era where the idea oftoo many people piling ontO one boat tO try and cross diffcultwaters safely isn't something that people can dismiss as a story from 1940 anymore.We live in an era where the virtue of individuality is very much overstated. The idea ofcommunal responsibility and C01 れ 1 unal heroism and what can be achieved through community is unfashionable. Dunkirk is a very emotional story for me because it represents what's being lost. You've made the distinction that yo 収 view this as a survival fi 販 , not a war film Why? Dunkirk is not really a battle ー it's an evacuation, a retreat. lt's a fight for survival, and it immediately drew me to the language of suspense, and the thriller, rather than all-out combat. lt reallywas a question of, Can they pull offthis miraculous feat before having to either surrender or be annihilated by the Germans? That was the choice : surrender or annihilation. ln a IOt Of movies that take place during wartime, we're used tO seeing emotional scenes like the 取 10 亡 er waiting at ome. But here, I didn't even know the names of the primary characters. Films have a sophisticated level of grammar that's developed over the hundred years ofcinema tO be able tO tell the audience everything and have them know much more than the characters. I wanted tO take a step back and say, 'Whatwould you know ifyou were actually stuck on that beach? ” The more I read firsthand accounts, the more apparent it became that part ofthe terror, part ofthe real sense of fear and isolation and vulnerability Ofthese men, was not knowing what was happening. N0t knowing, lining up on the beach out tO sea, if somebody was going tO come and get them or not. While the movie has famous actors, many Of the soldiers are pretty unfamiliar tO audiences—especially Fionn Whitehead, who plays the soldier we spend the most time watching. Fionn Whitehead had really done nothing before. He was 18 years old. That was exactly what we were 100k ⅲ g for. Too often in Hollywood movies, there's a sort of implicit pact between the audience and filmmakers that they can cast a 35-year-old as a fresh- faced recruit and we'll be 0. K. with that. One ofthe most striking things when you spoke tO veterans OfthiS conflict is they were just children when they went over there. There's a 10t Of intensity: boats flooding and capsizing, 0 Ⅱ ablaze ⅲ the ocean,

Actorslineup 、、 0 れ the b to •e-create 0 れ e 0 工 Dunkfrk'smany surreal images 0 工 stranded soldiers H E M ー R A C [ E 0 F

TimeOff 'SHOULD THEY TELL PAT ABOUTALAN'S INFIDELITY?' —NEXT PAGE Painting the town: Latifah, H 4 Pinkett Smith 0 〃 d Haddish ofgirls link arms and stride into the IN THE PAST YEAR OR SO, WE'VE seen SO many women-behaving- club in a sassy slO-mo strut—is really badly comedies—Rough Night and just a cheap junk tiara. Snatched are two ofthe most recent— You could be forgiven for thinking that you'd think women had only MaIcoIm D. Lee's GirIs Trip is just just discovered the pleasures Of another entry in this exhausted genre. And no matter what, consider yourself he ading out with frie nds , with hair forewarned that the moue's gags, teased high and necklines plunging 10W , for a debauched night on the and itS language, re ach a sailors-on- leave level ofcrudeness. Yet GirIs Trip town. But these movies have been succeeds where the others have failed. disappointments, and their novelty lt's hard to say whether that's thanks has worn thin. Past a certain point, it's no fun watching women drink tO the tO Lee's characteristically breezy, limits Of consciousness or puke their no-sweat direction (he's the writer- director behind the Best イ comedies guts out. ln trying tO prove they c an as well as the director ofthejubilant be as wild as the guys, the women in blaxploitation parody Undercover these movies mostly just settle intO Brother) or tO the movie's buoyant and a tired pattern Of self-humiliation. superbly matched cast. Most likely it's The alleged payoff ofthese pictures— a secret cocktail combo ofboth. Girls generally telegraphed by the Trip isjust fun, a movie that—even obligatory moment ⅲ which a bunch MOVIES Buoyant, breezy and brassy, Girls Trip never trips up By Stephanie Zacharek コ V の > 一 N コ 45

Time Off PopChart 可蠶日加 tuk For a true cheese overload, Pizza Hut is testing mac- and-cheese- topped pizzas in select U. K. locations. 495 石 k05 ・ 174 05nE0 れ SQ し AD, we've On ツ gone and made Mac & Cheese Pizza a 物ⅲ 9 ! 第 lt's honestly what d 「 3E5 are of 讐 讐讐 #PizzaHutg #TasteFreedornV ?L)AYSAGO Beyoncé unveiled the names Of her newborn twins Sir and Rumi Carter in an elaborately staged lnstagram phOtO shared on their l-month birthday. Saturday Night Live and Westworld led the 2017 Emmy nominations, each garnering 22 nods. 」 Odie Whittakerwill succeed Peter Capaldi tO become the 13th Doctor WhO and the first woman tO play the ′ 0 in the show's 5 牛 ye history. 'lt's just fabric, people. ' —KIM KARDASHIAN WEST, shutting down critics whO questioned the appropriateness of dressing her 4-year-oId daughter North in a faux corset POP star Kesha released her second single after a four- year hiatus caused in part by ongoing く 厄 g 引 battles with her former producer. TIME'S WEEKLY TAKE ON 0 LOVE IT LEAVE IT の 39V'•N 一 A1139 】の 3SN31 10V ト N00 工 - 3 工 V11 一工 M - くエの :vzzld -30NOA38 【ト贏トコ OA 【ココ WHAT POPPED IN CULTURE 0 SingerAaron Carter was arrested in Georgia on suspicion Of driving under the influence and marijuana possess ion. 0 FOIlow A woman visiting LOS Angeles' 14th Factory gallery knocked 側 e 「 S200 , 000 worth of art while trying to take a selfie. Vogue faced backlash for its August cover story, which suggests that model Gigi Hadid and her boyfriend Zayn MaIik's swapping clothes with each other amounts tO gender fluidity. ” Critics called it a gross oversimplification Of the concept. Doctors found 27 contact lenses in the eye Of a 67- yea 「 female patient going underthe knife for cataract surgery. ByRaisa Bruner, CadyLangandMegan McCluskey

lt also comes, by the way, from a person his blond forelock, like an English Troy Dona- whO has gotten little enjoyment from most hue) is with him, and a neighbor, George (Barry of Nolan's movies, with the exception Of Keoghan, whose eager, earnest face practically the observant, deeply affectionate 2015 tears a gash in the movie), hops aboard at the documentary short Quay, about experimental last minute, uninvited but welcome enough. animators Stephen and Timothy Quay. N01an Rylance has the demeanor, the carriage is perh 叩 s best known for his trilogy 0fBatman and even the wardrobe Of a man whO stands films, particularly The Dark Knight ( 2008 ) , by what's right. When he boards his boat, which characterizes the Gotham superhero he's wearing a んⅡ tweed suit, complete with as a reclusive, reluctant loner With a bruised waistcoat. But his sense Of what's right has soul. But the movie's alleged darkness is ofthe nothing t0 d0 with propriety. lt comes, simply, calculated s ort. Like most Of Nolan's pictures ー fromthe heart. ln one ofthe film's quietest, most especially the elaborate puzzle movie lnception astonishing 1 れ 01 れ entS , he confirms tO hiS son, ( 2010 ) , a densely plotted dazzler that adds up with nothing more than a glance, that telling a t0 nothing—it's heavy on flashy technique that lie can sometimes be the right thing tO dO. strives tO convlnce us it's great filmmaking. Dunkirk, grand and ambitious as it is, is OF COURSE, Dunkirk is an action 1 れ 0 ⅵ e. NOlan different from any other NOlan movie. lt's calls it a "ride; ” the kind of cringe-inducing different from any other war movie, periOd. language e ncouraged by marketing dep art- steven Spielberg's saving private ッ 0 れ ( 1998 ) ments. But he clearly knows it's more than is Often hailed as a great war picture, and its that. The picture is intense and harrowing in Normandy-invasion sequence is brutally places. Those with fears ofclaustrophobia and effe ctive. But its intensity practic ally burns the drowning should steel themselves. The movie rest Ofthe story away. NOlan sustains Dunkirk's is alSO at times assaultively loud, a feature that dramatic tension from start tO finish. This is a meshes with eyewitness accounts. Yet it's SO supreme achievement made from small strokes, carefully paced and shaped that it never feels a kind of seurat painting constructedwith dark, like punishment. lt is also only 106 minutes glittering bits 0f history. N01an filmed largely long—its very economy is an act Of boldness. on location, at Dunkirk Beach. ()n certain lnstead 0f shrinking from this world, you scenes, a calm lake ⅲ the NetherIands stood ⅲ reach toward it. This is a picture that needs tO for the bulldoggishly choppy English Channel. ) be seen big, in lmax if you can. (That recom- The flying scenes, taut and thrilling, feature real mendation comes from a person WhO normally vintage Spitfires. When the small boats arrive' prefers dentistry tO lmax. ) How Dunkirk's unique visual style was achieved: ュ . T H E ー N す E N 5 ーす Y Cinematographer Hoyte va れ日 0 tema captured the relentless action by training hiS 厄れ S over the soldiers' shoulders 0 れ d れれ iZi れ g overhead shOts 市住 t allow for reflection between action た es. "Every shotyoujust ha 怩 tO askyourself,' he says, "what it wou 旧 e た e. ” 39