VOLUME ONE Business and Editorial Offices: COUNTRY RHYTHMS Magazine 475 Park Avenue South New York, N. Y. 10016 ( 212 ) 689-2830 Publishers NORMAN JACOBS KERRY O'QUINN As sociate Publisher RITA EISENSTEIN Exec. Circulation Director RICHARD BROWNE Editor DANNY FIELDS Art Director CHEH NAM LOW Managing Editor STUART MATRANGA Music Editor LENNY KAYE Movie Editor DONALD LYONS Records Editor GARY KENTON Nashville Editor JOHN LOMAX III } { iS torlan ROBERT K. OERMANN Los Angeles Correspondent JOYCE ESTRIN Rodeo Editor JOHN GOFF Associate Art Director BOB SEFCIK Art Staff LAURA O'BRIEN AMY BERGENFELD Advertising Director CHRIS LASSEN ON THE COVER: Willie Nelson photo- graphed by Michael Abramson. COUNTRY RHYTHMS is published by COUNTRY RHYTHMS INC, 475 Park Avenue South, New York, N. Y. 10016. This is VOLUME ONE. Content is ◎ Copyright 1981 by COUNTRY RHYTHMS INC. AII rights reserved. Reprint or reproduction in part or ln WhOle without written permission is strictly forbidden. COUNTRY RHYTH MS accepts no re- sponsibility for unsolicited manuscripts , photos , art , or Other materials , but if freelance submittals are accompanied by a self- addressed , stamped envelope , they will be seriously considered if returned. Products are not necessari- endorsed by COUNTRY RHYTHMS, and any view express- ed in editorial copy are not necessarily those of COUNTRY RHYTHMS. Subscripton rates: $ 9.98 for one year ( 6 issues) delivered in the U. S. and Canada. Foreign subscriptions: $ 12.25 in U. S. funds 0 ⅲ y. New subscriptions send directly to COUN- TRY RHYTHMS, 475 Park Avenue South, New York, N. Y. ー 0016. Notification of change of address or renewals : send to COUNTRY RHYTHMS Subscription l)ept. P. 0. Box 4 , Mt. Morris,IL. 61054. Printed in the U. S. A. 4 COUNTRY RHYTHMS 題 YT ーー漑 $ 0 ☆ Prom 血師 t ☆ WeIcome to the premiere issue of COUNTRY RHYTHMS, the magazine aimed at covering the 例尾 world Of the true music Of Amer1ca, and the men and women who make it. The last few ye ars have seen an extraordinary growth in the popularity of country muSlC—on radiO and tV, in the and the recording in- dustry, in clubs and concert halls from North to South and East to West. What was once considered a musical style indigenous to one reglon of the United States is now a nationwide phenomenon—you only have to be Amencan tO love country and it that most dO. With its emphasis on melody, emotion, humor, reality, heartbreak and love, it is no wonder that country music has won the affection ofthe people of this land, and it is those basic values to which COUNTRY RHYTHMS is dedicated. ln each issue of COUNTRY RHYTHMS, we will try to bring you, our readers, what you want tO know and see about the marvelously talented people who write, sing and play this music—the stories of their careers, their private lives, what they think, what they do, and 田り they are 田ん they are. ln addition, we want to present and analyze the broader aspects Of the entertamment industries in which these performers function, and the lifestyles which they influence and affect. Just as country music belongs to the people of America, COUNTRY RHYTHMS belongs to you. We would like to know what you want to read about, know about, see pictures of—and we promise to continue to have the finest wrlters and photographers gather and present this information. Ⅵ are eager for your criticism, your praise (naturally), and your curiosity. So please write down your thoughts and send them to us, c/o The Editors, COUNTRY RHYTHMS, 475 Park Avenue South, New York, N. Y. 10016. We will be paying close attention to what you think and want to know— meanwhile, enJOY this first issue, of which we are very proud, and join us again when COUNTRY RHYTHMS # 2 arrives on your newsstand in October. Yours in the spirit of the muSIC we love , The Editors っ 0 》、 ~ 0 0 0 0 0 ナ 部 0
闡 00 N 0 0 The Cowboy 跏 ort n this era Of big-time, multi-million dollar professional sports, modern athletes seem tO be 1 ore concerned with large contracts than with loyal- ty. lt appears that the great traditions 0f our national sports are bemg lOSt in the face offree-agency, salary arbitration and corporate ownership. Yet, there IS one sport that remams much today as it was a hundred years ago: the rodeo. C ertainly , the rodeo of the 1980 ' s is a highly organized, million- dollar industry itself, yet it continues to carry on one Of the great American tradi- tions, that ofthe cowboy. lndeed, today's rodeo athletes are Of the same breed as the men WhO once rode the frontiers Of the These, are the six 一 or events in the rodeo. Like any athletes, professional cowboys have their specialities. Unlike most athletes , however, rodeo cowboys SaddIe Bronc Riding This is rodeo ' s olde st event , and possibly its most basic. Simply put, a con- testant must attempt tO ride a bucking horse for a full eight seconds, with only one hand allowed to hold the rein. Points are then awarded for the bucking of the mount, and the style, finesse, and ℃ ontrol the cowboy exhibits during the ride. 56 COUNTRY RHYTHMS by John Goff Amerlcan West. Descending from the early American cattle industry, modern rodeo is a well- organized circuit Ofover 600 tournaments stretched across the North Amerlcan con- tinent. Vying for more than eight million dollars in prizes, ten thousand rodeo athletes from the U. S. and Canada com- pete annually in Professional Rodeo Cowboys Association (PRCA) shows. B ased entrant ' S ShOWin gs the se rodeos throughout the year, the 'PRCA annually awards world championships in each event, along with an all-around world champion. NeedIess to say, being a PRCA world champion is the highest go any rodeo athlete can attam. The Events SO have their favorite animals tO face. Certainly unique to the sport of rodeo is the fact that the rodeo animals are as well- known as the cowboys themselves , and as Bareback Riding Bareback riding is similar to saddle bronc riding, but with one big difference: there are no stirrups and no bronc rems for the rider to hold on to. Therefore, bareback riding appears much wilder than saddle riding. Again, the judging is based on style, spurring action (called 。 'licking' ' ) and control. Today's professional cowboy not only competes in front Of thousands Of spec- tators in the arena, but is Often seen by millions 1 第 ore on television. Because Of the accessibility Of rodeo, due to its visibility on television, and its grass-roots appeal in rura.l Amenca, rodeo now an- nu 記 ly attracts more than ten million spec- tators. Despite the advances made over the years ln prrze moneys, organizatlon Of tournaments, and equlpment used, the rodeo athlete is still a cowboy , and the legendary confrontation remalns the same: 170 pounds of man versus 1800 pounds 0f animal. valuable. A good animal tends to bring out the best in a cowboy, and therefore is worth a considerable amount of interest and money. BuII Riding Bull riding is king in today's rodeo. The event pits the cowboy against a huge bull, which will buck and spin in an ⅲ - credible display of power and agility. After the rider is thrown to the ground, the bull will usually attempt to trample or gore him, making the escape an lmpor- tant part of the event. Judging in bull riding IS similar tO Other riding events, with emphasis on the ability to survive.
☆ 師市 y 皿 ☆ by Gary Kenton Night, ' ' Johnny & Dorsey BACK ON TRACK LONG DISTANCE Burnette's rockabilly classic "Believe What You Say, Rick Nelson esse Graham Parker's Chuck 刊 g ル Winche ster Berry-styled rave-up " Back (CapitoI SOO -12109 ) To Schooldays, ' ' and Ry 茲 / ん Mem, んな lt's been a long time bet- Cooder's wise and wistful (BearsviIIe/Warner Bros. ween hits for Rick Nelson ; his ballad ' 'Do the Best You BPK 6989 ) most recent was 1972 ' s "Gar- C . ' ' Although I wish pro- lt's likely that any xy den Party' ' and t ん was a ducer J ack Nitzsche had been from Canada with a beard complaint, albeit a brilliant able to get Rick to loosen up an acoustic guitar and some one , about his inability to a bit in some places ()e still simple songs would taken shake the ' 'Ozzie & Harriet' ' seems t00 straight-laced for for a lk singer, and that's temporary, preventing the lmage. But it was mainly his dru gs , but maybe a few beers just what happened t0 Jesse own fault for not sticking with kind of enthu siasm he showed would have done the trick) , what he did best : straightfor- in 1961 's "HeIIo Mary Lou" the renditions are generally to shine throu gh. ward pop renditions of crisp, clean and fai 市ん 1. Rick R. selection IS ln- rockabilly and rhythm & Nelson makes pure AM pop spired, including an under- blues songs written by top muSlC , mcorporatlng country composers. Thankfully , Rick stated version ofJohn Hiatt's and rock; if the radio pro- returns tO that basic formula achingly beautiful ballad "lt grammers give him half a Hasn't Happened Yet, ' on his new album, ~ なメ break, who knows, he might J0hn Fogerty's rousing ode to ル although he still tries become . America S S 、 weekends, "Almost Saturday tOO hard in spots tO be on - agaln. Of their labor are now avail- Newman & His Boys record- DANCE PARDNER able. ed "Everybody's Trying To Be My Baby" in 1938 (in- Each of the 16 artists ⅲ - Various Artists cluded on two Rambler an- cluded on ズの〃の , even Western Swing Series though Carl Perkins would thologies, x Sand and D ″ ズ S 側イ ルどの″ , deserves a credited for making it a rock- D ″ the の記″ story 0f his own but, brief- abilly classic almost two Rambler Records ly , these lp ' s glve an overvrew decades later ; the legendary Western Swing, a seminal of the musiclans who played Moon MuIlican is featured style of American popular in the shadow of Bob Wills, with Cliff Bruner's band on music that combined ele- recognized as the King of Tt 砒の & イ doing vocal and ments Of country & western Winchester when his first Western SW1ng. MiIton piano on the oft-recorded with blues and jazz in the (and best) album came out in Brown, after singmg with "That's What I Like About 1930 ' s , has been receivmg a 1970. But he was only in WiIIs in the original Light the South' ' ; and Jimmy 10t of attention lately ⅲ the C anada to avoid the draft (he Crust Doughboys, started his Revard & His Oklahoma press. Panly due to the suc- still lives in Montreal but , own band, The Brownies, Playboys straddle the fence cess of groups 1 慊 e Asleep at thanks to President C arter' s and only an automobile accr- between comedy (light, racy the WheeI', Western Swing is amnesty, he tours the U. S. dent in 1936 prevented him lyrics) and tragedy (blues) on being recognized not only for regularly) and his subsequent from rivalling Wills in popu- ' ℃ ats Are Bad Luck' ' and its historical importance five albums have revealed larity—he is represented not "Cake Eatin' Man ” on の″ (rockabilly sprang directly only by two tracks on these 1 第 .ore Of hiS southern country ル 7 を D ″ . from this idiom) but for its roots. On this new lp, he goes anthologles, but so on his There's more where this exuberance, dance-ability and own ep, の側化 -0- 砒 na , on one step deeper, teammg up came from and the 慊 s at lmprovisation. Recently , a the Western label; The Tune with producer Willie Mitchell Rambler and Western pro- handful of semi-retired gents ⅲ his hometown 0f Memphis Wranglers borrow from mise tO keep it flowing. For ⅲ San Francisco formed two to add some funk to his folk. Bessie Smith blues on "l'm more informatlon about their labels, RambIer and Western, WiId About That Thing' Mitchell's seamless, under- releases , wnte tO Mutual for the purpose of reissuing and from jazz on "Give Me stated production is well Music Co 甲 . , 254 Scott classic Western SW1ng sides My Dime Back, ' ' bo 市 on suited tO Winchester' S sweet , Street, San FranClsco, Ca. 94117. Get it while it's hot! ) from the 30 ' s. The first fruits D ″ル 7 ん D ″ ; Roy subtle vocals , but the overall 14 COUNTRY RHYTHMS
A Poor Man's Roses 0 「 A Rich Man's GO (remake) B-D San Antonio Rose B-D Seven Lonely Days B-D She's Got You C-D-G-S Shoes F SO Wrong D-G-S Someday You'll Want Me TO Want You ES South Of The Border B-D-W Stop LOOk and Listen I-M Stop The World And Let Me Off H-M- T-V Strange C-B-G A Strangerln MyArms I-K Sweet Dreams D-G-S WaIkin' Dream J-T WaIkin' After Midnight A-H-J-K-R-V WaIkin' After Midnight (remake) B-D- G-S The Wayward Wind B-D-S What A Wonderful World When ー GetThrough With You EC When You Need A Laugh E-S WhO Can ー Count On E Why Can't He Be You D-G You ー Understand K-Q-T-V You BeIong To Me C-D-S You Made Me Love You C You TOOk Him Off My Hands E You Were Only Fooling C You're StrongerThan Me You're Stronger Than Me (remake) D-G YourCheatin' Heart C-D-S Your Kind Of Love E PATSY CLINE'S ALBUMS A. Patsy CIine Decca 8611 B. Showcase With The Jo 「 - danaires Decca 74202/MCA 87 C. Sentimentally Yours Decca 74282 / MCA 90 D. The Patsy Cline Story Decca DK88- 7176/2MCA 4038 E. A Portrait Of Patsy CIine Decca 74508/MCA 224 F. That's How A Heartache Begins Decca 74586 G. Patsy Cline's Greatest Hits Decca 74854 / MCA 1 2 H. Patsy Cline's GoIden Hits Everest 5200 l. Encores Everest 5204 J.ln Memoriam Everest 5217 K. TOday, Tomo 「「 OW and For- ever H illtop 6001 L.I Can't Forget You Hilltop 6016 M. Stop The World And Let Me Off H Ⅲ 10P 6039 N. Miss Country Music Hilltop 6054 0 コ n Care Of The Blues Hilltop 6072 P. The Heart You Break Longines Symphonette 93489 Q. G0tta L01 Of Rhythm My SO Metro 540 R. Country Music Hall Of Fame Pick- wick 6148 S. Patsy CIine Remembered Tee Vee 1026 T. Here's Patsy CIine Vocalion 73753 U. Great VocaIion 73872 V. Stop The WorId Longines Symphon- ette 93438 W. AIways MCA 3263 Charlie Daniels Recording Arti st S ① m 竡聞山 i . the best things in life ィ are free' this is one ofthem. s 日 i11 out the coupon be- 10W. send it ⅲ and we'll send you 0 free can 0 { Happy Days moist smokeless tobacco. Just 0 pinch between your cheek and gum will give you real tobacco pleasure without lighting p. Go SmokeIess. lt ・ s the only way t0 go ・ FORYOUR FREE CAN OF HAPPY DAYS FILL OUTAND SEND TO: "Smokeless Tobacco,' ・ PO Box 2900. Greenwich. CT 06830 I certify that I am at least 18 years 研 age ・ Address: Apinch is 譴朋 takesr 物 1 を物 G 物をを物をし 0 物を @penhagem 当 DA 物新販 R 印 SMOKELESS 加 City: State: Zip: CRIOI * OFFER NOTAVAILABLE TO MINORS. Offer good only ⅲ USA and Canad ロ . Limited tO one sampling perfamily. COUNTRY RHYTHMS 45
☆ h ⅷ owdo Ⅷ☆ for 500 viewers. ☆ Watch for RCA's レ C ん襯ん , successor tO last year ' s platinum- selhng C ん襯ん ~ ん Larry Butler produced it ⅲ Nashville. NBC-TV will begin a Satur- day morning Chipmunk show for this fa-ll as well as “ A Chipmunk Christmas ' special and, in the spring 0f 1982 , "The C hipmunks At the Grand 01e OP . ☆ Butlerjust finished up aJ0hn Den- ver pr0J ect which marked Denver ' s first local recording. J0hn's record sales have dipped drastically 0f late—perhaps the same wizardry Butler exhibited with Kenny Rogers and Don MeLean will revive Denver' s drydocked disc sale s. ☆ Fans of traditional country music would be wise to lend an ear Annie McGowan's way. Annie's lp, 厩ルぉ クル % presents a most intngurng artist whose influences draw from Jim- mie R0dgers, the Carter FamilY' and BiIIie Holliday. Most ofthe songs sound like they sprang straight 伝 om the 1927-1941 era, the guitar playing is Emmylou Harris, who saw 山代 0 of her lp's go gold in 0 皿 year, hasset the acoustlC and there are sections. music industry abuzz with a video presentation she 61n10d recently in LOS Annie's VOlCe IS most pleasing songs (she penned 8 0f the 11 tracks) are Angeles. Using two of her biggest songs' “、 . Sandman" and "l Don't Have exceptional, particularly "G00dbye TO A to Crawl, ” mmylo Ⅱ acts out an actual mini-story ofcourtship, marriage and River' ' "Lay Me A Rail For The Road' ' break-up. lt begins in a nightclub, where Emmylou meets a handsome sailor' and "CaroIina Blue' '. Send $ 7 to Galli- whom she falls 贏 love with and marries. But the ッ soon turns int0 a 1 y more Agency, Box 560 , Martin, TN. whereupon Emmylou gives him the 01d heave-ho. End ofsto . This is the first 38237 , and you'll get a copy postpaid or time that a song-video has been used tO tell an actual tale, with the soundtrack look for the record on the Rattlesnake consisting almost entirely 0f 見 mm 0 singing. The video has been distributed la 1 (distributed by Rounder Records) at tO various popular syndicated ⅳ shows, SO watch for it. your local record store. ☆ One book I have srutinized is Ever- ☆ The 13 市 annual Country Radi0 road company for the show. Carol's next Seminar, held here in March, was by far musical will take a much needed look at ett Corbin's Storm 0 しⅣのん″ん , a tome the most successful gatherin g in that or- the world ofprofessional sports. The visit which should add fuel to the fires of ire ganization's histOIY. Attendance this year gave Carol a chance to chat with her god- burning within those wh0 think crossover topped 500 , a 25 % increase over last father, Don Law, discoverer of Lefty records have killed country music. Cor- year's record crowd. Full-time country Frizzell and one ofcountry muSlC'S 1 OSt bin levels some senous charges at the radiO stations in the U. S. increased this successful producers. country music establishment here but his ☆ Speaking of Frizzells, Lefty's year to over 1 , 500. There were 81 full- undocumented assertions and factual in- ume country radio outlets ⅲ 1961. brother David Frizzell is making a big accuracies will no doubt deter learned name for himselfas Dottie West's daugh- ☆ Chet Flippo's Hank Williams bio- students of the genre. lt is available from graphy, C ん厩 g 丑れ , (Simon & Ashlar Press, 2103 Crestmoor Road, ter, Shelly's, duet partner. "You're The Reason God Made Oklahoma ” put them Schuster, 1981 , $ 13.95 ) has been eliciting Nashville, TN. , 37215. ☆ George Jones ' manager, paul on the singles chart ⅲ a big way and their gasps from 慊 s here in town. Flippo pre- Richey, reports thatJones will be the sub- first album was Just released. Allen sents ど ffl ど 2 d conversations bet 、 Ject of an "authorized biographica-l Frizzell, yet another of Lefty's brothers, Hank and Audrey on the most intimate movie. ' 'Jones, the CMA's Male Vocalist holds down lead guitar duties in the topics, attributing his msights tO of the Year, has certainly been in enough FrizzeII-West band while David's 19-year papers 0f Audrey Williams. ー, ' This is the old son, Lefty's grandson, handles the first X- rated country music biography escapades tO make for some very interest- sound mixing for the groups' roadshows. C01 e across. vlewmg. ☆ For her part Mama Dottie (she has ☆ OIan Basham has issued a more ☆ Carol Hall, the transplanted Texan three other grown kids) is a bigger star who wrote the songs for the huge conventional biography of Lester Flatt. Called 7 を Baron, it is available for $ 3.95 , Broadwayhit, ん召んルんんど now than ever. She's put together a con- Texas (soon tO be a maJOr motion picture SIStent strmg Of hit records, made S01 e postage and handling included, from Box very lmportant tv appearances and is get- 64 , Summittville, TN. , 37382. Haven't starring D011y Parton and Burt Rey- nolds), paid the Music City folks a visit in seen this one yet but l'm told Basham re- ting lOts Of attention as part Of Kenny late February. Carol reported that 0 尾 - veals details of a friendship between Flatt Rogers show. C ouldn ' t happen to a nicer houseopened ⅲ England in March, the 4 山 and the late Elvis Presley. and more dese rvin g lady. 74 C UNTRY EMMYLOU IN UNIQUE VIDEO ROLE 0
Eddie Rabbitt Kenny Rogers and Kim Carnes LacyJ. Dalton ・ Mickey Gilley 7-8 〃 0 れイル仙ー Hank WiIIiams,Jr. 7 、んグどん襯な Bit ThiS iS not a matter Of discrimination, merely a reflection Of the FAMOUS COUNTRY DUETS 〃側ん血 . Me—Charley Pride—Two trouper's tributes: fact that about 65 % ofthe country buyers are females who 'd rather Pride's sterling d16 ロ cohtained two 物 1 singles, "Honky- listen tO men. (MaIe-Female Div. ) Cnoosingthe ten best albums in any yearis fOOlish business. NO Tonk Blues" and "You Win Again" while WiIIiams Mixed DuetsWhomadeTop3 orbetterinBiIIboard'ssingIescharts matter whO you pick you wind up making ten friends and alien- rough-hewn disc forever proved that HankJr. is no longer atin g everyone else. I alSO wonder What criteria tO use. Should you standing in his father's shadow but casting a giantshadow on their first release: rely on subjective reaction or 0k tO the sales figu res reflected by ofhis own. the trade charts? I reliedonacombination ofthetwo, ruled sound- 9 んなワ、 /. のな〃 0 れ - ー The freshest newtalentto hit countrymusic Position Artists tracks and greatest hits collections inel igible , and stipulated that a in many a moon, Lacy writes super country songs, sings record must have reached the Top-Ten 0f the 召卍な charts. れ Margaret Whiting/ them with spellbinding emotion and has a voice that m ade When I applied these restrictions to the twenty albums I had left Jimmy Wakely い SIippin Around ” 9 -28-49 MickJagger 0 飛 r tO produce her. after a great deal ofwinnowing, I found I had twolists often. This れ Jean Shepherd/FerIin / おイ′ You—DonWilliams—OI' Donjust keepsmosey- 10 allowed me to make twenty friends and tO alienate ten fewer fOlks. “ Dear John Letter' ' 7 -25-53 Husky ing along, steady as a sunrise, and just as pretty. Roger The ten ruled ineligible are presented first: Cook and Sam Hogin's title song moved Don further into れ Tammy Wynette/ & 砒 ra ( the pop and MOR charts than he's ever been. This album 'My Elusive Dreams 7 -15-67 David Houston iS seamless as a bowling ball and ⅱ rollsjust as well. 7 U 訪なな Cowboy—The biggest soundtrack in a year of sound- After The Fire 常 1 Loretta Lynn/ tracks, it yielded six hit singles and stayed atop the album Conway Twitty ls Gone ” charts for tWO months. れ Mary Lou Turner/ WHO ARE THE MOST POPULAR 2 〃伽な沢0立ー・ Though the movie wasless than a smash Bill Anderson ' Sometimes WOMEN IN COUNTRY MUSIC? ⅱ established WiIlie in the movies and the album brought れ HeIen CorneIius/Jim "I Don't Want To us. ルなー new Nelson tunes and was # 1 for Six weeks. Atthe end ofeveryyear, Billboardmagazine tallies upthe names Ed Brown Have To ” 3 Co 記外イな Daughter—The film was a smash butthe LP of the rno 覊 successful people on the country charts for that # 1 Dottie West/Kenny “ Every Time 2 didn't quite hit れ . Sissy Spacek sung LO 代は a well, even 12 -rnonth period. Based on the number of times they have ap- Fools Collide ' ' Rogers taking her actto the Grand Ole Opry stage ・ peared on those year-end popularity charts , here are the most # 1 Shelly West/D avid 、 You ' 代 the Reason popular female country performers Of the modern era. By this G 尾ど立〃 Frizzell God M ade reckoning, these are our most durable country women : Oklahoma' 4 Kenny og れ一一 - a fine retropsective from Amenca S most popular vocalist. The album spent most of November and 1 . Loretta Lynn 18years' appearances れ Red Foley/K itty December at れ . ( 1962 , 1964-1980 ) "One ByOne" Wells 2. KittyWells 15years' appearances 5 沢 ni たななー Four # 1 singles this year put Milsap atthe # 2 Don Gibson/Dottie い 952 , 1954-1962 , 1964-1966 , 1968 , 1969 ) top in thatcategory. Asacollection thiscan'tbe faulted: 10 West 'Rings ofG01d" 2-22-69 3. DolIy Parton 13 years ' appearances ofthe 12 selections were # 1 singles. ( 1968-1980 ) # 2 Greene/Jeannie "Wish I Didn't Have Anne.Muray—Annesings em all, from stonecountrytothe T ammy Wynette 13 years' To Miss" 11-15-69 SeeIy appeara nces Beatles , capping the year with the gorgeous , 、、 Could I ( 1967-1974 , 1976-1980 ) # 2 WayIon Jennings/ Have This Dance," from U ′厖れ Co 出みの ,. Connie Smith ー 3 years ' appearances Jessi CoIter 'Suspicious Minds" 5-01-76 ( 1964-1976 ) 7 7heOakRtdgeBoys—Agospel-countrycrossover, TheOaks Lynn Anderso n GeorgeJones/MeIba "We Must Have Been 1 1 years' # 3 appearances have racked upftve gold albums in less than five years. Ex- ( 1967-1977 ) Montgomery Out ofOur Minds" 5-04-63 cellent vocal harmony and superb song selection. 5. Dottie West l()years' 8 7 を S ″ Brothers—Country 's best and most humorous ( 1964 , 1966 , 1968-1970 , 1974 , 1977-1980 ) vocal group, these guys have won 7 Country Music 6. Jean Shepard 9years' appearances Association (CMA) Awards for best vocal group. ( 1953 , 1955 , 1956 , 1964 , 1966 , 1967 , 1970 , 1973 , 1974 ) THE BEST 1980 ALBUMS Barbara M andrell 9 years' appearances 」 V Te たノ 0 Country Division ( 1971-1974 , 1976-1980 ) 7. Anne Murray 8years' 9 7 んル / Am—A fine e 0 from Merle Haggard with appearances 1980 will be remembered as the Year of the Country M usic ( 1970-1974 , 1978-1980 ) Sonny Throckmorton's title songbecorning an anthem for Donna Fargo Movie. The soundtracks [ 0 C0 を外石れな D 側朝 , U 「厖れ C 皿防り , 8years' blue andwhite collar workers alike. appearances ( 1972-1979 ) 〃 0 れりな Ro 震ん E 〃 0 なれ , 召 ro 0 り and Smo んり and 10 、 / 0 ん〃れ d れ″ー A most auspicious debut alburn 8. Tanya Tucker ′月側 d 2 all left their mark on 月″ルな Top-Ten album chart 7 years ' appearances which featured four hit singles from this young, hard- with U なれ CO 6 り and 〃り 0 立 topping the charts for a ( 1973-1979 ) country singer. HiS version Of “ 1959 ' ' is Skeeter DaviS combined 14 weeks. These two and Kenny Roger's ″どれ efforts : 7 years' appearances now red-hot. い 953 , 1959-1961 , 1963 , 1964 , ー 967 ) 1979 ' sK 例リ , G 印れ , andhis G 尾な虧′〃 accoun 肥 dfor450fthe51 9. Em mylou H arris weeks worth Of れ records. Kenny' s three records were # 1 for an 6 years ' appearances And now, (roll ofthe drums), the Best10AIbums of 1980which astonishing 引 weeks, equalling thelongevity record he established ( 1975-1980 ) did meet all the criteria: CrystaIGayIe last year when ん and The Gamb ruled the roost. The only 6years appearances ( 1975-1980 ) other artists tO hit # 1 were ⅵ on Jennings' for three weekS' 1 Gzdeon—Kenny Rogers and Kim Carnes—wntten by Kim BiIIieJo Spears and Ronnie Milsap , Charley Pride and Eddie Rabbitt' each for 6 years ' appearances Carnes and Dave EIIingson this concept LP had it all : ( 1969 , 1975 , 1977-1980 ) One week. beautiful duet-singtng, a れ single, "Don't FalI in Love 10. Linda Ronstadt % 0 ル presented an even mo 代 unbalanced year. Their 5 years ' appearances With A Dreamer" and two months as a れ album. ( 1975-1979 ) charts were topped by 0 司 y four albums: U 側 CO ろり , for 16 weeks,Kennyfor15, ル f0 「 11 andK ′″火 og G ″砒社 for JeannieC. Riley 5 years ' 9 巧ー Do Ⅱ y Parton— New songs , great arrangements of ( ) 旧 appearances ( 1968-1972 ) 9. Factorin Kenny's big single, "Love The World Away"' from and new tunes, a hit movie an a h0t single have propelled Jan Howard U 側 Co 6 り , and you can seejust how big a year Kenny Rogers 5 years ' Parton back to the peak ofthe country pike. ( 1960 , 1966 , 1969 , 1970 , 1972 ) had in 1980. 7 . ″ 7 ' 耘′ノ厩れ Me—Mickey GiIIey—GiIIey's 3 Rogers relied on a few powerhouse records but Willie Nelson bestalbum in ッな . The title song, "True LoveWays" and Honorable Mention: found almost as much success from a イ劔 different charted LP's. "Stand By Me" all went れ . lnaddition U 側 C 破勧 gave Patsy CIine Willie put it all up for sale in 1980 : Soundtracks : E ( 〃 0 な en れ Mickey's little beerjoint millions in free press. and 〃伽りん 0 化 "Live" albums: 0 TheRoad(with Leon ( 1957 , 1961-1963 ) Brenda Lee Russel り and ル″側イ F' な m , んど . Duets: ル覦ルあ〃 , D リ 4 Horizon—Eddie Rabbitt —AbigaIbum forEddie. ・ 'Drivin' ( 1973-75 , 1980 ) のなル″ルホ 0 れルどルのんル召 ra and San れ勿〃あ沢 0 立 My Life Away" and "I Love A Rainy Night" moved him Jody MiIIer (with Ray price). Gospel : おな m 吟おな Tribute: ル″Ⅳどな 0 れれ sölidly into pop and MOR while both reached the top 3 of ( 1965 , 1971-1973 ) Kris ん立ゞ伽 . Christmas: どり戸矼 . Standards: S 卍れ the country singles ChartS. Jeannie Seely OIdies: S . ど m 礦込 . N01ivingartist has everput 12 albums int0 5 お The Snow—EmmyIou Har1 ・ is—Warner Brothers the chans in a year. Even the mega-selling Rogers 伽ケ placed ( 1966 , 1970 , 1973 , 1974 ) didn ' t think an all-acoustic EmmyIou album would sell as Susan Raye eight LP'S in the charts last year , counting his tWO duets with well as her previous albums. lt didn't: ⅱ so 旧 more and ( 1970-1973 ) Dottie West. helped secure the CMA ' s Female Vocalist Of the Year So the 1980 album year was a story 0f soundtracks , Kenny and Helen Cornelius Award for Emmy. ( 1976-1979 ) Willie. lt was alSO, once again, not a year for women smgers. NO IAm ルー IAm—GeorgeJones—"The Possum" sobered Olivia Newton-John woman captured a # 1 album in either trade paper. The women up long enough tO puttogetherhis strongest LP in acoon's were shut out in 1979 as well• ln fact, D011y's 〃健れみ宿砒 , in ( 1975 , 1976 , 1978 , 19 フ 9 ) age, nabbed a#l single with "HeStopped LovingHerTo- November of 1978 , was the mo recent top-rated album from a day ' ' and copped the C MA ' s Male Vocalist Award. woman in country music. Until D011y's 9 5 LP ⅲ early 1981. Date Song 2-06-71 1 1 -29-75 7-04-76 2-18-78 4-0 を 81 5-12-54 6 4. 2 4years appearances 4 years ' appearances 4 years appearances 4 years appearances 4 years ' appearances 4 years ' appearances years ' appearances 6 COUNTRYRHYTHMS 33 ー R. K. 0.
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Left: Barbara Hershey and Penelope Milford plotting something devilish in ど T んなノ図 S んカ . Right: SuccessfuI country singer Tanya Tucker plays a successful country singer visiting her home town in 〃イ Co り withJan-Michael Vincent. の側 g ん . Sally and Tommy play two "CIyde. ' ' A completely country movie, Arnencan cities. Country bars with toss- リは笏ル 2 ァ物 Can had Sandra Locke ing broncs sprouted up overnight in the loveable losers (she's a hooker, he's a playing a country singer, GIen Camp- shadow Of many a glass tower. Stetson human-punching-bag boxer) wh0 travel bell doing the title song, and Clint himself capped executlves and secretarles Ⅵ℃ re together over the muddy, rural South's manfully crooning "Beers TO You' ' with taking a hard Texas fall after a hard day at 召磁ん towards a 。 'CaIifornia' ' they Ray CharIes. Action and laughs are dream about. They show us that two peo- the computer. Disco died in the 70 ' s , but furious and fast in the ん一 pictures country sounds rang in with the 80 ' s ! ple can have something more lmportant with CIint, the greatest bare-knuckle than success— heart. brawler of all time, taking on the nasty Tix Clicks with Sticks ? ⅸ Another sign of the times in early 1981 'boys in epic set-tos. And the ルん訪は was none Other t.han Brooklyn-born Bar- This summer has verified 1981 as the are C01n1ng money. The good news ln bra Streisand singlng a country tune, hottest year yet for country movies. Their 1981 for Clint and Burt fans is that Clint is 'Carelessly Tossed' ' on an electric organ dominance Of the Amerlcan fllm scene readying Part Three ofthe' 'Clyde' ' saga in her slapstick comedy, 図″ルをんカ g. had grown stronger by the month and has and Burt is teaming up with Dolly Parton peaked this summer. ln the sprmg we saw summer has been rich in country this summer ln a country fllm. That pair SaIIy FieId , 1979 ' s Oscar winner for pictures, and the biggest hit of all may be (I mean Burt and Dolly) should electrify a playing country-girl-turned-union-or- 72 んんなノ励〃 d S ん膨カ , starring Robert fe 、 countles. ganizer Norma Rae, teammg with or - Hayes (the pilot in / あ〃の and featuring my Lee Jones, the tough-headed, so - Lacy J. Dalton and Johnny Paycheck Disco Died and Country Rang hearted screen igniter who shined as smging the song that went straight tO Ⅵ can't leave 1980 without noting Loretta Lynn's husband in Co をイ砿な every working person's heart and lips. that this was the year one country fan (es- The movle's about a brewery in Dubuque pecially of Willie Nelson) left the White that's about to be taken over by a big con- House, and another one (WhO rides glomerate. The workers, knowmg the horses, knows the meamng of 7 ン Grit, good beer they make will be watered and had something to do with the movies down by these big-money crooks, rebel himself) came in. Signs of the times! and take over the place. Sounds fantastic! Besides a new President, 1980 intro- Another biggie—and significantly, an- duced mainstream America tO ・ a new other film which takes its title and its inspi- pastime. U 側 Co 田みり became the rnoue ration from a memorable, classic country that did more than any other to bring the song—is Avco-Embassy Films' んルん spirit of country to the Big Towns of the The ん愈んなル t 0 Georgia, a powerful USA. lt showed poor working-stiff, city- hard-hitting country story with Kristy fo 慊 trying to keep the romance, excite- McNichol, Dennis Quaid and Mark ment and vitality Of the country alive in Hamill ()f Luke Skywalker fame). the 9- to -5 city world by going to GiIIey's, The Universal release of the Tanya riding the bronc, and dancing to Charlie Tucker movie, 〃 d C ヮ , is shaping Daniels. John Travolta proved disco up to be a country blockbuster, as is 〃伽砂 wasn't the only sound he could move tO, % ん , a wild down-home yarn that and Debra Winger, as his gutsy, high- should start lines forming. riding wife, tOOk every 1 記 e viewer's AII in all—and these arejust a few high- heart away. She is a special lady! ()y the lights— 1981 100kS to be the year when way she should have gotten an Oscar nod, movies get country-tooled for good. NOt a nice person: Scott Glenn as Travolta's t00. ) But, U 側 Co 田ろり will be best re- HolIywood?? . H011YW00d ? ? ... ain't rival, Wes, in U 側 Co ろり . membered for changing the night life of that a suburb of Nashville? 8 COUNTRY RHYTHMS
☆ ☆風″ time 00 y 后 vorites KAY STARR COU NTRY RAILROAD MAN Titles: Frankie & Johnnie (Guest Star•Tex BiIIy Strange and his Williams); Your Cheatin' Heart; Tie A 12 String Guita 「 YeIIOW Ribbon; Something Missing; Titles: Wabash CannonbaII; Chattancx)ga OkIahoma Hills; Saturday Night; Rangers ChOO Choo; OId Toy Trains; Midnite Waltz; Blue Grass; Odds & Ends; Pain SpeciaI; Engine Engine ; Atchison Down Deep. Topeka & Santa Fe; This Train; Last Train TO Cla 水 s ⅶ Wreck Of the 0 旧 ' 97 : Track Walkin' ぷ h を第 4 物を ま 0 , ei GNPS 2105 GNPS SHE TAUGHT ME TO YODEL GREAT WESTERN THEMES Rod Erickson Billy Strange Titles: Cattle Call: YOdeI Ou 「 Troubles Titles: High ChaparraI; High Noon; Away; Wimoweh Lion Sleeps Tonight; Magni ficent Seven; The GOOd The Bad CannonbaII YOdeI; LoneIy GirI; She And the Ug iy; Bonanza; Cowboys and ・ Taught me tO YOdel; GOing Home; Big dians; Gunsmoke; FO 「 A Few DoIlars Bad Tom; Yodeler's Lament; ROCks in My More; Paladin; Hang 'Em High; Five Card Shoe; YOdeI Sweet MOIIy: Grandpa TeII a Stud; Showdown At い Mesa. Story. 蘿測則 MAN 別 [ Ⅳ S Ⅷ羆 000 毎 DADS ま avo ⅲ eco れ gs 日し「 ( 気ム、 5 A 、い 0 し K 日しリ . 目 : 鬣第。 STRING 00N PARMLEY 12 STRING 聞 R ! 0 08 を宿 GNPS2121 MICKEY FINN'S MUSIC Titles: Five Foot Two; Freckies; Christie Lee; Ai n't She Sweet; More: Sidewalks Of New York; T00 気 T00t Tootsie: Cali fornia Here ー Come; Sweet Georg ia Brown : Har ・ rigan; Finnigan ・ s AIIey; Dixie; Whispering: BumbIe Boog ie. 5 STRING BANJO with 12 STRING GUITAR Don Parmley and Billy Strange Titles: This Land Your Land; Gotta Travel On; Cottonfields; Flint Hill Special; Ruben's Train; Arkansas Traveler; My 0 Kentucky Home; Red Wing; Greenback DOlIar; Cripple Creek; Ballad Of Jed CIampett. OCK AROUND THE COI 」 NIRY Bill H 。 & を Q ets ( 歌収煽最ⅳ THE RANGERS WALTZ MOM DADS TF,KN T 第い 、は & いは叔第 物 - 編ー ー産ー 0 ド CURLY CHALKER play the 、山、 G い“川 L 1 地動題 4 ROCK AROUND THE COUNTRY Bill Haley & The Comets Titles: Dance Around The ClOCk; Games PeopIe PIay; Bonie Moronie; Me And BOb ・ by McGee;l Wouldn't Have Missed FO 「 The World; A Little Piece At A Time: How Many; WhO'Il Stop The Rain: There ・ s A New Moon; Over My Shoulder; Pink Eyed Pussvcat; Travelin ・ Band; NO LetterToday. NASHVILLE SUNDOWN CurIy ChaIker & his s 怕 guitar play the songs Of Gordon Lightfoot Titles: EarIy Morning Rain; Sundown;lf You Could Read My Mind: P00 「 Little Allison; TaIking in Your Sleep; Cotton Jen- ny; Summer Side Of Life; AIberta Bound, Second Cup Of Coffee; Carefree Highway. ( 怛 ! 立 ACS STEEL GUITAR COUNTRY Buddy Merrill Titles: Smokey Mou ntain Breakdown; Honey; Kaw ・ Ligg; Love Of The Common People; With Pen Hand; Steel Guitar Chimes; Steei Drivin' Man; Rose Garden; ROllin' Home:, Snowbird; Liza Jane; S 怕引 Guitar Rag. GNPS2104 GOIN' SKINNY DIPPIN' Mayf N utter Titles: GOin' Skinny Dippin'; SweetIm ・ agination; Greenhorn Mountain Girl;l Don't Care; Oklahoma Sunshine; LO 「 d ヨ Love Mashed Potatoes; Sweet Southern LOVin'; Born T00 Late; Country Roads; Rockin' Damn RO ル GNPS 1 RANGER'S WALTZ The Mom & Dads Titles: The Rangers Waltz; Across The Alley From the AIamo; AIabama JubiIee. &)mewhere My Love; Judy; Ragtime An ・ nie; Silver Moon; Quentin's B 日謝 Boogie; Marie; Georgianna Moon; Anytime; Just A Closer Walk With Thee. GNPS 2 ・ 21 GOLDEN COUNTRY The Mom & Dads Titles: 聞 Ho に You ⅲ My H ・第旧 Can Ho You 旧 My Arms; BIues Eyes Crying 旧 The Rain;ln My Hacienda; Are You Teasing Me; Out On TheTexas Plains; Hey GØd Lookin'; Slipping Around; The Shannon Waitz; Whose Heart Are You Breaking Now; CO CO 旧 Heart; Snow Dear; Green Green Grass Of Home; and other big hits!! SPECTACULAR COUNTRY RECORD DISCOUNT COUPON (EACH RECORD SPECIALLY PRICED AT $ 7.98 ) M 0 : COUNTRY RHYTHMS RECORDS, Dept. CRI ROCK AROUND THE CLOCK 475 Pa 水 Avenue South, STEEL GUITAR COUNTRY GREATWESTERN THEMES New Yo 水 , NY 1 16 RAILROAD MAN RANGER'S WALTZ 5 STRING BANJO WITH 12 STRING GUITAR M ℃ KEYFINN'SMUS ℃ KAY STARR COUNTRY GOLDEN COUNTRY NASHVILLE SUNDOWN GOIN'SKINNYDIPPIN' SHE TAUGHT ME TO YODEL U. S. A. ー $ 1.12 ea. 「 e00 「 d Tota 日 0 「 records: $ Add postage: $ Canada—$2.02 ea. record FO 「 eign ー図 .02 ea. 「 80 「 d TOtal enclosed: $ Postage and HandI ing Charges: ー NOTE: け you do not want to cutthis page, send 0 「 de 「 on another piece of ー paper. Please allow 4 tO 6 weeks fO 「 processing and delivery. All records (Payment in U. S. funds only) guaranteed! (PLEASE PRINT) NAME ADDRESS CITY STATE ZIP
BOOTS A boot with a proper fitted GOOD BOOT heel will always a little SHOULD HAVE : hard to put on and 0 A sili- cone spray ()t and Hush are A STEEL SHANK . good) , applied above the heel 、 Vood will not give you area, will ease the way enough arch support. Most without damagmg the leath- of the better bOOts are made er. And remember: Don't try with steel, but if you are not to pull o a boot 伝 om a situng sure Of what you are gettmg, position; stand up and step ask your salesman. down intö it , and you will not A PEGGED SHANK. have to work quite so hard. Another must for proper arch HEIGHT: The height of support. Make sure the pegs yourheel always affects the 旅 are set close together and that of your boot, and you will there are plenty of them or find that a high-heeled (two the steel shank will wear right inches or over) bOOt can be through the sole. Wooden 、 narro 、 and shorter pegs are best, but since they than a low-heeled one. Be- expand in Ⅵ , 第 . Ⅵ℃ ather and cause a high-heeled boot con- contract in cold, they are usu- centrates your weight on the ally reinforced with brass ball of your foot and keeps nails. that foot fairly rigid, your A LEATHER LINING. toes need very little r00n1 tO flex. timate the tightness or the looseness Ofthe Man-made fabrics are not very compati- H owever, when you wear a low-heeled instep by the width of the throat. If your ble with leather. They do not expand and bOOt, your weight is distributed over your 応 ot slip s into the throat t00 easily , chances contract at the same rate as leather and entire arch area , and your 応 Ot flatten s are the instep is tOO 100Se and you need a will eventually seperate from the boot and out. You then need extra length and width narrower bOOt. tear. tO accommodate your spreading toes. SMOOTH MESHING OF HEEL BALL: The ball of your foot must TOES: Your toes are in the right posi- AND TOE. If there is a gap at the point always rest on the ball (the widest part) 0f tion ifthey touch, 0 ん砒立 the where they join—beware! The heel may the last. lfit sits t00 far forward ()s it will if inner wall of your boot when you stand. loosen and f 1 0 you wear t00 short a bOOt) , your toes will LENGTH AND WIDTH: “ Of the SOLID WORKMANSHIP. You can be crammed intO the toe bOX and will fitting sins, the short fit is the most harm- tell a 10t about a boot by the way it is develop corns from rubbing against the ful and the most common. The longer stitched and sewn. If the quality is poor inner lining of the boot. What's more, your 血 , ' ' says Sam Lucchese, "the better the stitching on the face and on the outer your toes will hang over the welt, push the 0 仕 you are. A longer, narrower fit will sole will be uneven, the stitching on the in- boot out of shape, and shoften its life. overcome pressure on the big toe and sole will stand up, and the pull straps will HEEL: Don't expect the heel of a you more support in the arch and the 心 - loose or asymmetrical. Western boot to hug your foot when you lmportant metatarsal area. walk—it will always slip a bit. This slip- IN GENERAL: A properly fitted boot page may be quite pronounced when the HE BOOT SHOULD does not reqmre a breaking-in period. If bOOt is new and the SOle is stiff and un- FIT THE FOOT: your boot does not feel good the moment yieldin g, but after several wearin gs , the you put it on, it isn't right for you. sole will begin to flex, and most ofthe slip- COWBOY BOOTS are not only great to look at, they're incredibly comfortable. page will disappear. Doubt it? One good 旅 will make a be- lfyou try on a boot that has no slippage liever ofyou. Here's how to get it. (With a whatsoever, it is either t00 short for you or ん 0 襯 The Cowboy CataIog り Sandra K little help from Tony lhma. ) t00 tight in the instep , and will raise blis- Co 加〃′◎ 7980 り & haK れ側 . TheCow- boy Catalog な洫ろな五 om Crown ~ 励騰んグゞ , 3 イ INSTEP: Because it has no laces, ters on your heel. If you try on one that E んん膨 . , v 例ルノクノ 70 . S 例イ straps, or zippers tO bind it tO the fOOt, a slips excessively , it is t00100Se in the instep 22.50 0. 丐 r 加が .50 r Western boot will not be secure unless it and you need a narrower width—not a “れイん g. fits snugly in the instep. Often, you can es- shorter bOOt ! 70 COUNTRY RHYTHMS PARTS OF THE BOOTS PULL STRAP QUARTERLINING PIPING F 0 、 TQUA 1 FANCY STITCH DESIGNON QUARTER VAMP LINING VAMPING STITCHING VAMP SIDESEAM BACKQUARTER FOXING STITCHING FOXING TOE MEDALLION BOXTOE RAND HEELBASE HEEL LIFT - ー - ーーー - ORTOPLIFT HEEL COUMER OUTSOLE STITCHING OUTSOLE WELT INSOLE OUTSOLE SHANK PEGS PAD SHANK