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and everything like that, I keep going own schedule, his own rhythm that he works with, and I think the trick is to find back to the obvious thing. Pacino is the that rhythm and understand it. For me, best one. Dustin Hoffman. People with l'm really pretty content if I work ten, acting expenence. 1 ' Ⅱ 1 sure if you put twelve, fourteen days. Anything more them on a stage to sing, they wouldn't be than that really starts to be a strain before as comfortable doing that as I am. But I the day ends. And then ifl can have two or think if I do enough acting, ultimately I three weeks offand then work ten, twelve, will develop my sixth sense, an internal fourteen days, then l'm OK. I like to have sense, where I can become the person. one, sometlmes t 、 MO, periods a year 、 Throughout the whole Ga 襯みを I was I have more than that off so that I can make a vacation out Of it, without feeling lucky. The part was written for me, so it like I have to go right from work to vaca- was kind ofme doing me, and l'm the one tion and right back to work. But we've ⅱ - who added the limp and added the cane, nally got into a rhythm with which I think but they were really added as—if you'll l'm comfortable. I think part ofthe e 可 oy- excuse the pun—crutches. I did it because ment Ofthis business is when you can still one Ofthe hardest things for a new actor tO look forward to going to work and during do is walk and 100k comfortable, and what your work you look forward to your tlme off—but in the middle of your time 0 仕 , you ⅱⅡ it up with a cane, you limp and you you start looking forward to going back to work. So, constantly you always have have a specific walk to do, so it was kind of something to look forward to. a crutch and it really ended up being part CR: At five years old you were perform- of the whole physical thing of this man. ing for the nurses, singing "You Are My Maybe that's how actors become actors. “ I shaved Sunshine, ' ' and they gave you a quar- They say, 。 'I feel uncomfortable in this ter—see, I never forget anything you tell part. What can I do to make me feel com- my beard, and me . fortable? ' ' Maybe I stumbled into some- KENNY: l've still got that quarter.. thing that Dustin Hoffman would have the first lady CR: But here we are, many years later, done. and as opposed to performing for four or CR: Would you like acting to become a 1 ran 1ntO five nurses ln a Texas nursing home, bigger part 0f your career? you're now playing to 15 000 or 20 , 000 thought I was a people at a time. How do you feel about KENNY: Oh, I don't know. I think that performing for that many people? DO you what it is, IS another foundation. One of brick mason, group them into one? DO you think you the key things of any successful person's perform for one person, or for a mass Of career iS kno 、 When tO move, when tO so I immediately people ? say, 。 'l've done everything there is here, KENNY: You perform to an individual. from here it's downhill. ' ' So I think you You find people in the crowd who you de- grew my always try to lay your groundwork in an- velop eye contact with, and the thing that Other area when you re at your peak in beard back. ' works for me is that I try tO entertain the one area, because success ln one field front few rows. I can't see the back rows anyhow, and you'd be lying if you said, gwes you validity in another field. lt "OK, this is for you way up there," be- doesn t glve you success. lt gives you va- cause you can't really relate tO that. You lidity. lt gives you the opportunity to try it CR: Let's talk about acting. Do you enjoy see the silhouette and that's it. But what I under the very best conditions. And ifyou that ? try tO dO is tO entertain the first eight or ten have any talent or ifyou can make it work rows and acknowledge the rest of the KENNY: I love acting—but I hate sitting at all, then you re given a shot at doing group; that's really about all you can do. around. UnfortunateIy, you can't do one that. You then have to produce, you have Conversely, ifthose front rows are not en- without the other. to be able to pull it 0 Ⅱ、 , so all l'm trying to tertained, you re ln some serl()us trouble. CR: Yes, because there's a great deal of dO now IS use the momentum that es- CR: A 10t of artists like the distance from 。 'down time' ' while they're setting up tablished in rnuSlC tO give me a chance tO the end of the stage to the first row, which cameras and everything. But what about do something in another field. may be another 30 or 40 feet. But you like 7 ん Ga 襯房砿 ? You came off real well in to be out among the people, and you work that, and I imagine you enjoyed doing it. End 、 0 、 in the round. KENNY: I loved doing it. You known KENNY'S 外イ OS CANDID / ル 7 沢 - KENNY: Oh, if I had my way l'd walk when I went intO it, my whOle go 記 was not up and down the aisles. lt's unfortunately 好 E ル to be embarrassed. I think a good actor gotten tO the point where I can't dO that, and it really saddens me. One ofthe most could have done a 10t more with it than I のン襯れ 0 KE ルル Y ' S 外イ OS 第 impressive and exciting things that we've did , but I was happy with the way it C ル D / の / ル TE レ 7 刃 : ん K リ done as far as creating excltement was on turned out. 沢 og / んゞ 0 砒んな″ 00 んな襯 0 肪グ a tv special, and I started from the back CR: But ifthey had said, 。 'Kenny, you lay 側イ旅んな田旅 , んな阨 t 肝孕な側イ襯 of the audience and sang a song as I 0fffor a mmute, 、 want t0 ln an ac- 厩ん砿 / 厩 g をな . 力な co 襯襯 g ど walked down the aisle to the stage and I tor thatyou want tO dO this role, Other than 〃爺怩 ofCOUNTRY RHYTHMS. loved that. I loved shaking hands with you, Kenny Rogers. ' ' Ⅵ市 0 would that 〃イ m / ん第 ( ル〃砒んどあ 0 ん砒 7 ' 〃 E people going along there, but it's gotten so be? Ⅵ市 0 would you have suggested to do HOUSE ん 4 KE. ルル Y 召 OUG 〃 T ー frantic now that it's Just. . it's ing, first of , and it' s not fun to do that that part? the 房お学ど記グ第砒イん襯石んんな - anymore, because the risk factor is high. KENNY: Well, for the physical likeness ヮ t ん United S / 64 COUNTRY RHYTHMS

A Poor Man's Roses 0 「 A Rich Man's GO (remake) B-D San Antonio Rose B-D Seven Lonely Days B-D She's Got You C-D-G-S Shoes F SO Wrong D-G-S Someday You'll Want Me TO Want You ES South Of The Border B-D-W Stop LOOk and Listen I-M Stop The World And Let Me Off H-M- T-V Strange C-B-G A Strangerln MyArms I-K Sweet Dreams D-G-S WaIkin' Dream J-T WaIkin' After Midnight A-H-J-K-R-V WaIkin' After Midnight (remake) B-D- G-S The Wayward Wind B-D-S What A Wonderful World When ー GetThrough With You EC When You Need A Laugh E-S WhO Can ー Count On E Why Can't He Be You D-G You ー Understand K-Q-T-V You BeIong To Me C-D-S You Made Me Love You C You TOOk Him Off My Hands E You Were Only Fooling C You're StrongerThan Me You're Stronger Than Me (remake) D-G YourCheatin' Heart C-D-S Your Kind Of Love E PATSY CLINE'S ALBUMS A. Patsy CIine Decca 8611 B. Showcase With The Jo 「 - danaires Decca 74202/MCA 87 C. Sentimentally Yours Decca 74282 / MCA 90 D. The Patsy Cline Story Decca DK88- 7176/2MCA 4038 E. A Portrait Of Patsy CIine Decca 74508/MCA 224 F. That's How A Heartache Begins Decca 74586 G. Patsy Cline's Greatest Hits Decca 74854 / MCA 1 2 H. Patsy Cline's GoIden Hits Everest 5200 l. Encores Everest 5204 J.ln Memoriam Everest 5217 K. TOday, Tomo 「「 OW and For- ever H illtop 6001 L.I Can't Forget You Hilltop 6016 M. Stop The World And Let Me Off H Ⅲ 10P 6039 N. Miss Country Music Hilltop 6054 0 コ n Care Of The Blues Hilltop 6072 P. The Heart You Break Longines Symphonette 93489 Q. G0tta L01 Of Rhythm My SO Metro 540 R. Country Music Hall Of Fame Pick- wick 6148 S. Patsy CIine Remembered Tee Vee 1026 T. Here's Patsy CIine Vocalion 73753 U. Great VocaIion 73872 V. Stop The WorId Longines Symphon- ette 93438 W. AIways MCA 3263 Charlie Daniels Recording Arti st S ① m 竡聞山 i . the best things in life ィ are free' this is one ofthem. s 日 i11 out the coupon be- 10W. send it ⅲ and we'll send you 0 free can 0 { Happy Days moist smokeless tobacco. Just 0 pinch between your cheek and gum will give you real tobacco pleasure without lighting p. Go SmokeIess. lt ・ s the only way t0 go ・ FORYOUR FREE CAN OF HAPPY DAYS FILL OUTAND SEND TO: "Smokeless Tobacco,' ・ PO Box 2900. Greenwich. CT 06830 I certify that I am at least 18 years 研 age ・ Address: Apinch is 譴朋 takesr 物 1 を物 G 物をを物をし 0 物を @penhagem 当 DA 物新販 R 印 SMOKELESS 加 City: State: Zip: CRIOI * OFFER NOTAVAILABLE TO MINORS. Offer good only ⅲ USA and Canad ロ . Limited tO one sampling perfamily. COUNTRY RHYTHMS 45

BOOTS A boot with a proper fitted GOOD BOOT heel will always a little SHOULD HAVE : hard to put on and 0 A sili- cone spray ()t and Hush are A STEEL SHANK . good) , applied above the heel 、 Vood will not give you area, will ease the way enough arch support. Most without damagmg the leath- of the better bOOts are made er. And remember: Don't try with steel, but if you are not to pull o a boot 伝 om a situng sure Of what you are gettmg, position; stand up and step ask your salesman. down intö it , and you will not A PEGGED SHANK. have to work quite so hard. Another must for proper arch HEIGHT: The height of support. Make sure the pegs yourheel always affects the 旅 are set close together and that of your boot, and you will there are plenty of them or find that a high-heeled (two the steel shank will wear right inches or over) bOOt can be through the sole. Wooden 、 narro 、 and shorter pegs are best, but since they than a low-heeled one. Be- expand in Ⅵ , 第 . Ⅵ℃ ather and cause a high-heeled boot con- contract in cold, they are usu- centrates your weight on the ally reinforced with brass ball of your foot and keeps nails. that foot fairly rigid, your A LEATHER LINING. toes need very little r00n1 tO flex. timate the tightness or the looseness Ofthe Man-made fabrics are not very compati- H owever, when you wear a low-heeled instep by the width of the throat. If your ble with leather. They do not expand and bOOt, your weight is distributed over your 応 ot slip s into the throat t00 easily , chances contract at the same rate as leather and entire arch area , and your 応 Ot flatten s are the instep is tOO 100Se and you need a will eventually seperate from the boot and out. You then need extra length and width narrower bOOt. tear. tO accommodate your spreading toes. SMOOTH MESHING OF HEEL BALL: The ball of your foot must TOES: Your toes are in the right posi- AND TOE. If there is a gap at the point always rest on the ball (the widest part) 0f tion ifthey touch, 0 ん砒立 the where they join—beware! The heel may the last. lfit sits t00 far forward ()s it will if inner wall of your boot when you stand. loosen and f 1 0 you wear t00 short a bOOt) , your toes will LENGTH AND WIDTH: “ Of the SOLID WORKMANSHIP. You can be crammed intO the toe bOX and will fitting sins, the short fit is the most harm- tell a 10t about a boot by the way it is develop corns from rubbing against the ful and the most common. The longer stitched and sewn. If the quality is poor inner lining of the boot. What's more, your 血 , ' ' says Sam Lucchese, "the better the stitching on the face and on the outer your toes will hang over the welt, push the 0 仕 you are. A longer, narrower fit will sole will be uneven, the stitching on the in- boot out of shape, and shoften its life. overcome pressure on the big toe and sole will stand up, and the pull straps will HEEL: Don't expect the heel of a you more support in the arch and the 心 - loose or asymmetrical. Western boot to hug your foot when you lmportant metatarsal area. walk—it will always slip a bit. This slip- IN GENERAL: A properly fitted boot page may be quite pronounced when the HE BOOT SHOULD does not reqmre a breaking-in period. If bOOt is new and the SOle is stiff and un- FIT THE FOOT: your boot does not feel good the moment yieldin g, but after several wearin gs , the you put it on, it isn't right for you. sole will begin to flex, and most ofthe slip- COWBOY BOOTS are not only great to look at, they're incredibly comfortable. page will disappear. Doubt it? One good 旅 will make a be- lfyou try on a boot that has no slippage liever ofyou. Here's how to get it. (With a whatsoever, it is either t00 short for you or ん 0 襯 The Cowboy CataIog り Sandra K little help from Tony lhma. ) t00 tight in the instep , and will raise blis- Co 加〃′◎ 7980 り & haK れ側 . TheCow- boy Catalog な洫ろな五 om Crown ~ 励騰んグゞ , 3 イ INSTEP: Because it has no laces, ters on your heel. If you try on one that E んん膨 . , v 例ルノクノ 70 . S 例イ straps, or zippers tO bind it tO the fOOt, a slips excessively , it is t00100Se in the instep 22.50 0. 丐 r 加が .50 r Western boot will not be secure unless it and you need a narrower width—not a “れイん g. fits snugly in the instep. Often, you can es- shorter bOOt ! 70 COUNTRY RHYTHMS PARTS OF THE BOOTS PULL STRAP QUARTERLINING PIPING F 0 、 TQUA 1 FANCY STITCH DESIGNON QUARTER VAMP LINING VAMPING STITCHING VAMP SIDESEAM BACKQUARTER FOXING STITCHING FOXING TOE MEDALLION BOXTOE RAND HEELBASE HEEL LIFT - ー - ーーー - ORTOPLIFT HEEL COUMER OUTSOLE STITCHING OUTSOLE WELT INSOLE OUTSOLE SHANK PEGS PAD SHANK

are gained, whether it be concerts, or records, or a combmation Of the tWO, whatever, and put our energles rntO that area. CR: How do you relax when you have the time 0 Ⅱ ? What do you like to do? KENNY: I play a lot oftennis, and I real- ly enJOY that. l've only been playmgabout five years. C R : H ave you become proficient ? KENNY: Well, I sponsor a couple ofkids on a tenms tour, SO when they're not play- ing they really sharpen their game by workrng with me , and anyone whO can play with me is OK. I create some rnter- esung demands on them. I hit shots that are unheard ofin the game oftennis. But I think I 'm a pretty good tennis player. l'm good enough to play almost any social game, that's really all—l think that's - ways been one of my drawbacks, that it's never been lmponant tO me, even muSlC- ally, to be れ . I don't care about being # 1 , I just don't want to unheard of, and when it comes tO sports and things like that, I don't want tO 」 ust compete. I don't really care who wins. I hke getung out and playmg—lt's more social than competl- uve. CR: One of the problems about bemg a star is the traveling. Has that gotten tO be a hassle ? KENNY: Of course l'm very fortunate because I have my own transponauon ln g tO become somethin g , tO become the KENNY: Well, I can't say I don't like it, that I travel in so I have the benefit ofthe best lawyer in town , the best plumber in but I think there are lnconvemences, and pnvacy ofthat, and l'm also cutung down town, the best carpenter ln town, you ve I think the lnconvemence iS the lack my workload tO a point that it IS not a got tO devote time tO that, and I think of privacy. I have to tell you the funny problem anymore. I travel when I want to story about when I shaved my beard one that's where the stram comes—as Ⅵ′ lt - travel. I cut it down this year considerably nessed by the fact that I had three prevrous ume, while I was searching, searchrng, from what it has been in the past. I think searching for this privacy, this anonymity, marriages, and I really believe their fail- the hotel situauon is the one real draw- that I knew existed somewhere, and that I ure was the result Ofthis pressure that was back, because lt seems lmpossible tO get relished so much. Why couldn't I go back on me , subconsciously, tO become a suc- into a hotel and able to walk in and stay to the old days? I shaved my beard, and there without someone knockmg on the cess. CR: Why do you work so hard? the first lady I ran into thought I was a door or calling me on the telephone, and KENNY: Well, having been with the brick mason, so I immediately grew my that's where you'll see the wrong side of First Edition and having been successful beard back. I didn't want any part of this me, I'II tell you, because I think that is my and enJoyed the fruits ofsuccess—the ap- anonymity. I wanted her t0 know wh0 1 pnvate time. 、 Mhen l'm on the street, l'm plause and the accolades and all—and was, but leave me alone. fair game, that's part of the business, but of a sudden to have lost it .. . I think CR: Are there any demands on yourmar- once I close that door I really want to be there ' s an lnsecurity that goe s with star- riage because Of being a star that you left alone. I have things that I need to do. dom. Anyone who tells you that people don't like? ls it a greater straln on mar- You know, I have times when I like to be- WhO are in thiS business dO not suffer from riage being a star? come rntrospecuve and think for myself insatiable egos is lymg to you or lying to KENNY: I don't think so, I think ifany- and sort out my problems and my busi- themselves, because I think it's a must, thing it S a greater strain trymg tO ろ % om ど a ness relationships, and I need that time. it's part of the drive in this thing. This CR: Another singer told me that about star than it is g a star. Because agam, two days before he goes on the road, he business is based on the principle that if being a star—for lack of a better term—l starts getting in a bad mood, knowingthat you don't at least attempt tO get hotter, thmk gives you the financial capabilities he has to go 伝 om Point A to P0int B. At you will definitely get colder, and the fear and the mobility with which to make your Point A he's fine and at Point B he's fine, of getung colder keeps me going. But marrrage what you want tO make Of it. I but it's the getting from A to B that de- what you try and learn tO dO is structure can afford to take Marianne with me ifshe presses him. wants tO go. Then it's a question Of what yourlife SO that you rmmmrze youroutput KE NNY : lt doesn ' t bother me. I think she wants. lfshe wants t0 go she goes, and and ma.xrrmze your lncome, not necessar- that one of the things that l—l'm full of ily ⅲ dollars but in results, and that's what ifshe doesn't want tO, she doesn't. Where these little profundities—but one of the we're trying tO dO now. We're trying tO you run intO problems is where you don't things that l've learned is that every per- figure out exactly where the most things son in this business who performs has his have an option. But when you're struggl- 62 COUNTRY RHYTHMS ' I had three prevlous marriages , and I really believe their failure was a result of this pressure that was 0 Ⅱ me tO become a success.

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honesty ⅲ that statement— and in her sisterly pride. Back home ( " Please stress Perhaps that is why she recently had a eyes— that made you understand exactly that home iS Tennessee! ! ! ' ' ) the entlre custom-made touring bus designed for how she lt. her. "lt's not school bus time," Barbara Mandrell family lives near each 0 市 er. ln And she cares enough to ask ifher inter- fact, sister Louise and her husband, R. C. explained , while describing her $ 250 , 000 vlewerhas enough for her article. "l don't B anning, live right next door. lnvestment which harbors a rmcrowave know if I shared enough beauty secrets, Barbara emphasized her alle gance to oven and a sheepskin bedspread. but the t れ一山 is, there aren't that many. 'l've got some beauty advantages ln Tennessee. Although most of her school What Barbara didn't realize was that my own room on the bus that I didn't years were spent growmg up in Los beauty secrets dO not necessarily come have ⅲ my old bus. My father and Ken Angeles, home is "definitely Tennessee. from a bottle ofmake-up or from a tube of and I designed the inside ofthis, my third We're out in the boonies, and I have a SO lip gloss. This old-fashioned, family- bus. I have a make-up mirror and can see Of country-life existence. oriented singer is proof that beauty so the back of my head. You see, other than the ShOW wraps for the season, Barbara, Ken, and the kids plan to move comes from within—the love She shares on tv or rmportant things , I ' Ⅱ always d0 theirbelongings from their rented Beverly for her family and fans ()I think my my own make-up. ' One honest beauty favorites are the very 01d people and the house t0 a new home Tennessee. tip Barbara shared was that she uses ab- A house that Barbara had always little bitty children. When I see them clap- . Just a round solutely no hot curlers. dreamed of owning was up for sale, and pmg or stamping their feet to a song, that brush and a blow dryer in order to create although it took a while for the seller and just makes me feel like l've accomplished her feathered wind-blown look. buyer to agree on a pnce, Barbara and Gettin g back to the pride she has ⅲ her something. ” ). bus, Barbara added that the suspension of Ken bought their dream-house. I won- And accomplished she has... Bar- the bus is such that it has a swaymg dered if this "dream house' ' was one of bara's singles constantly hit the top of the motion while it rides—no bumps. This is her happiest dreams. country charts , her variety series is a hit , 。 Winmng C ountry Entertainer of the important t0 Barbara who sleeps any- her family support is unbeatable, and her where from eight tO ten hours at a shOt Year was. When I walked 0 圧 the stage, I and home life iS a success. 〕 NO Ⅵ , heard one ofthe stagehands shout, 、 L00k, while riding on the road. She often takes な accomplishments. And if you want one Ofus won! ! ' and that made me feel the the kids on the road with her, and they the best beauty tip of , accomplishments happiest. ' ' There was a warm-hearted sleep with their mom ⅲ the bus. are beautiful! Barbara excused herself to put on her comfy j eans and a western shirt. She look- ed a bit tinier now than she did in her long dress—probably because now her trim figure and teeny hips were emphasized. I complimented B arbara , wh0 admitted that she has always thought she was skin- ny and flat-chested. As far as the latter statement, 伝 0n1 one female tO another, I assured B arbar 、 a that that was no lon ger the case. She laughed. Yes, for her tiny framework, she turned outjust fine. Male opmions? They'd have t0 agree that she has a marvelous 部 lre. Surprisingly, when I asked Barbara for her diet secrets , she didn ' t have any. "Today has been so busy I think I ate a half of a hard boiled egg. ' ' She was dead senous. "lt's true, I don't eat right. I eat whatever there is at the time. I don't eat three meals a day except when l'm on vacatlon. ' ' But vacatlons come rarely, and most Of the day's precious hours are devoted to tv work with her sisters, Louise and lrlene. Three beauties in one family doesn't seem fair, but that's the Mandrell family, thanks to manager-dad lrby and mom Mary. 'You know when you have a sister that looks like Lou ise ( the dark-haired raven) you get an inferiority complex. ' ' She revealed , however , that there wasn ' t any sense Of competition growrng up with them. "The three ofus are really amazed because there's really not one lnterview that goes by that we don't mention each other. We were brought up in a close Barbara MandreII in action—beauty eyes the ho 旧 er. needs, you're there! ' ' she added with 3 COUNTRYRHYTHMS 13

whom you've been helping to raise. What do you think of the fuss that's TAMMY'S STORY Would you care to talk about it? been made over that song. TAMMY: I know that my sister is so TAMMY: A woman is a woman regard- A TV MOVIE much better Off now that her agony IS less Of what city or country she lives in. over. never seen anybody suffer more She still has the same feelings and goes in their whole life than that woman. And through the same experiences. she had a tragiclife to begin with. She was Just a 、 A/Oman. And a Just a man, ln an automobile accident when She was and nothing ain't ever gonna change that 21. She was an absolutely beautiful girl basic truth. I feel that I can really relate to before that, and she had to have over 360 the average woman because I myself feel stitches in her face alone. She was married very average. I worked as a 、 AJaltress. I when she had the car wreck, and she was worked in a bank. I worked in a shoe fac- scared tO death that she was gonnalose her tory. I worked pickin g cotton. I worked as husband because she looked so bad. Then a receptionist. There are SO many, many she had to have thifteen plastic surgery ordinaryjobs that l've done that the ordi- nary woman makes her living doing. And operatlons. I always associate myselfwith the average She had two children—a daughter and a son—and she almost died giving birth to Annette O'Toole and Tammy Wynette woman. CR: You've been divorced four times, both ofthem because she wasn't supposed and now you're happily married to your to have any children. Then when Chris, On March 31 , CBS-TV broadcast fifth husband, George Ritchie. You seem her boy, was born, he was born with his & 側イ , 外イ側 , a tv movie based on tO be a living example of the sentiments head wide open and his stomach wide Tammy Wynette ' s best- selling autobi- expressed in your song, "Keep On Fall- open and he had no fingers or toes. Caro- 0 叩 hy of the same title, and starring ing ln Love 'Til I Get lt Right. ' lyn immediately went to work on him Annette 0 ' Toole as Tammy. the plastic surgeons built him some little TAMMY: I think that any person who's 'I- never thought that one day a gone through a divorce has in the back of fingers. They're not perfect and they're a movie would be made 0f my book , ' ' said little short, but he can use them. their mind, whether it was their fault or Tammy. "lt's a dream come true. He's a perfectly normal, healthy, intel- somebody else's, that they're gonna get it After Annette was grven the coveted ligent boy, except for his disfigurements, right some day. The song so applies to part ofTammy Wynette, she flew to Las and I don't want Chris to suffer any more. other things. Even if it's something that Vegas where Tammy was performing, He went to his first Cub Scout meeting you re working on or writing, and it went backstage , and introduced herself and he came home cryingbecause the kids doesn't come out exactly right. I think as the actress whO would portray her. wouldn't play with him. And he said to his everybody feels that way about something "She was Just great and so excited, fåther, 。 'Daddy, I don't know why they —that they'll just keep on 'til they get it Miss O'TooIe says of her first meeting didn't want to play with me. I was really right. I loved that song when I first heard with Tammy. " She ' s been wonderful , it. And I felt so strongly because I just having a good time, but they said I was and I learned a lot by being with her, knew that some 、 vhere there was a 、 'lr. different. They said I was ugly, Daddy. watching her perform, and reading her Right for me, and I found him. He's right And it was enough to have killed me. I touching book. If I can capture one real cried 'til I couldn't stand it. Anyone that there in the next roon 】 . moment Of this woman's life that will My husband's ajewel, and an absolute sees Chris has to take a second 100k. But mean something to somebody , then that he's not retarded and that's a blessing, but musical gemus. a fantastic father, is what it is all about. ' he is aware ofwhat Other kids are saying tO and he really does spoil me to death. lfl so Critics and mi_llions Of viewers much as lift a leg 0 仼 the bed, he'll say, him. I told my husband I didn't care what who saw Annette 0 ' Toole ' s perfor- it costs, l'm gonna get that child some 'Why, what do you need, Honey? ' ' He's mance ⅲ & 側イァノ側 agreed that help. Carolyn was so great and to lose her Just SO attentive, and he puts together all she indeed captured something very so young ・ .. I want to do something for my Vegas shows, and he's written halfthe special. Due tO time limitations, much Of stuff l've recorded. Ⅵ第 were friends for her little boy. Tammy s incredible life story was not twelve years , and I th ink that was the CR: Summing up, how would you say covered in the telefilm. Let's hope a se- greatest thing we had going for us even success has really changed you? quel is in the works. before we fell in love. I think you've got to TAMMY: I told the kids, "The only way everything? We wanted tO get you some- like a man as a friend first before you can success has changed us at all is that we thing, but we didn't have any money, so have a bigger house tO live in and more really love him. We've been together now we decided tO write and let you know that food, but we have less time to stay in that since August of 1977 , and it's been great ・ I wouldn't trade one minute Of it. lt's you've been the best Mommy in the house and we stilllike to live on hot dogs. ' And that is so true. Would you believe been everything l've always wanted and world. You've given us what most people never get. And Ⅵ℃ mean money, we that a hot dog is still my favorite food? lfl thought of finding. mean love. ' ' Well, thatjust destroyed me had a choice between a steak and a hOt CR: What would you describe as the dog, why l'd take the hot dog. highest moment in your life? because they were really sincere. They really wanted me to know how much they TAMMY: Strange as it may sound, thought about me on my birthday, even when you ask me what was the highest ( Ⅳ 0 襯叫な。。 ' ' Carolyn 田ん when I wasn ' t there. My kids and I have high in my life, l'd have t0 say it was when 側ールん研 m な maternal grand- had a good time growing up together, and I had a birthday and I was out oftown and な , Caro ケれ田 7 襯なアなん . I guess I have also grown up with them. the kids didn't have any money. When I But, 豆ど Carolyn 田伽ケ膨確“ / イ群劬側 Tam- CR: You had a sister who passed away at got back home they had written a poem ア , ク田 ra な記 g ん側ん混厩あん that staned off: "Dear Momrny. How do a traglcally young age after a long illness, / that t ゞ , ra 側厩側側〃 / れ化 ) you get something for somebody who has and I understand she left behind a son 30 COUNTRY RHYTHMS 2

′ OST INTERVIEW CANDID With Harry Newmann And Far-Reaching lnterview Opens Up ln An Extraordinary The Most Successful Star Of AII t ルど研イ 2 , K 例リ沢 og な no 切〃ケル 0 立ゞ跖化ゞザ CO ワ襯カど 0 〃〃襯 図〃な , ろル信襯をじ厩 0 ワル雇 〃な Greatest Hits ん田例 0 ル / ど研ルし & 図 / 厖襯 訪 2 ホ D 筋ノ 980 , 側イ立肪ど側 t 勗 g ど厖例 . 〃ど”况 do 300m 卍あれ尾 co 豆れ化 797 乙側イな″ケ ね eam c あ勿ー 20 襯卍あ〃ノ 987. カ側ん a 、ル〃勲 0 / ル 2 をな田伽 , 側 d ル例 d な no 田んどゞ愈ん . 人例 og g 側豆襯 g 2 毎 g a ろ叫 〃 0 勿れ , 砒 , 田んどん t んん訪ん 20 襯 / - ケ , ル天な物 om ん . ルが d ゆ愈ん厖ゞ 召訪り D りな T ん 0 , ayazzgroup, 側石〃ノ 966K 例ノ膨 d t ん 0 ルル仙 C んり外石な .4 ルを側療ん砒 ル入石な m 昭イ a ル gro ール Ed 市伽 . 劔 t ん E 市〃み ro んゆノ 9 乃 , K 例 ' “確礰石ル こ勗厩襯ん厖な d 2 ん厩刀ー 79 〃田ん例んな 豆な " ん跖″な” ( 観イ例ケんな〃ん確な na 〃肥りを襯 m 卍あ I . & ど劔 , どアんんな跖ん記ん turned g 房 d ー力な襯 . K 劔な加田″辺 m 記んな u 田 M 〃〃〃偬 〃砒勧の a ん衂 Caro な 4 川ア 0 襯んをを立〃刀ど , 側 da K 例 . / を 0 襯んな t ん 田田 co れ d d. COUNTR Y 沢〃 Y S り 〃Ⅳど〃 , 田んん 0 ん ~ あケ田 K 例 . CR : You ow , Kenny , I' ve been thinking about your starting out in Texas as a kid with the B0bby DOYle Tri0 , and now here you are. At any time during your childhood and early teens and 20 ' s did you ever dream about being a superstar? KENNY: Oh, I think anybody that gets ⅲ this business dreams ofit. That's what gets you through the nights at the HoIiday lnns and the four-thirty ⅲ the mormng ShOWS, and dOing nine ShOWS with fifteen-rmnute breaks in between. But I think we have that dream, even though we ow we have to wake up sooner or later, and I think I honestly felt that somewhere along the way that I would do well. But yet , you have tO know that success for me has 60 COUNTRY RHYTHMS always been relevant. The day I came home with my first paycheck that was larger than my father's—as far I was concerned, I was a success. I had done what my father had done, and I think each generation kind 0f looks at it that way. SO, with the magnitude 0f what's happened, no, I don ' t think I ever knew anyone could do what ' s happened tO me. C ertainly not me. CR: ls superstardom you thought it would , though? KENNY: I don't like the word "superstardom. ” I don't even know what the terminology means. TO me, a star IS someone bigger than me. See, I don't think that l'm super, I don ' t consider myself. CR: Take my word for it, you are. OK? KENNY: Yeah, OK. CR: This lifestyle that you've been able to achieve—is it you thought it would ? KENNY: l'm one ofthose rare individuals—there are very few ofus—that can honestly say there's nothing ⅲ my life I would change, and I feel very happy to able to say that. I' m very thrilled to be able t0 say it , because it ' s something that you work for, but usually there's always a fly in the ointment. Success has allowed me something that scared me at one time , and that is a chance tO orchestrate my life SO that I can have trrne 0 圧 and take time 0 珥 and I can work when I want to work. I think that what usually happens is that most people become successful, become a slave tO that success , and I refu se t0 d0 that. If な magazine calls and says, "We want tO dO an article, ' ' and that's when you're up-and-cormng and struggling, and they say, "We can on- ly dO it at ten in the mormng, you can rest assured that at ten ⅲ the morning, l'll sitting there waiung on 印な magazine. But now at a point where—and usmg な as one of the rnaJ or publications—if they call and I have other things that I need t0 d0 or want to do, I can say, 'Well, I can only do it at six in the afternoon. ' ' success aIIO 、 me tO structure my own tlrne. CR: ls there anything about being a star you don't like?

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