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1. 罪と罰

PART Two "He was accused Of the murder. ” "YVas there evidence against him? ' 。 "None. ゼⅡ get him 0 圧 ' 。 Razumihin said. 、 'Whatthrew them off was thatthe door was locked, and when they came back with the porter it was open. SO it meant KOCh and Pestryakov were the murderers—that's how they think ! ' ' 、 'That's the way they do things," said Zossimov. 。。。从厄 have facts,' they say. But they don't seem to realize facts are not everything—it's what you make of them! ” "You make something of them, then? ' ' "I might be of help. Do you know the details of the case? ” "Dushkin, a tavern keeper, brought the police a box with gold j ewelry ⅲ it a few days after the mur- der. He said NikoIay, the painter, sold them to him for a ruble the day of the murder. "He suspected him because he knew NikoIay had a job ⅲ that house with Dmitri the day of the mur- der. He went there to see him, but Dmitri said he had gone out drinking. 、 'When Nikolay came to the tavern the next day, Dushkin asked him if he knew what happened. Dushkin said he turned white when he told him and left without a word. That's when Dushkin went t0 the police. He's sure it was Nik01ay's doing. 37

2. 罪と罰

PART FOUR 。、 lt's sitting there behind the door!" He pointed t0 the locked door. "What is it? Where? 市 at ? ” Raskolnikov walked to the door and tried to open it, but it was locked. 、 'lt's locked, here is the key! ' 。 said Porfiry, bring- ing a key out 0f his pocket. "You're lying," shouted Raskolnikov. 、 'You're lying so I may give myself away! ' 。 "Why, you could not give yourself away any fur- ther, Rodion Romanovitch. You are in such a heat. Don't shout, I shall call someone. 。 。℃ all someone! You knew I was ill and tried to work me up t0 make me give myself away! You wanted tO drive me tO fury and then hit me with priests and such. What are you waiting for? Produce them! ” 、 'Priests ! What things people will imagine ! TO do so would not be acting ⅲ form, as you say. And there's no escaping fort れ , as you see," Porfiry said. A noise could be heard at the door. 、 'Ah, they're coming,' cried Rask01nikov. 、、 You've sent for them! ⅥでⅡ , l'm ready!" But at this moment something SO unexpected occurred that neither Raskolnikov nor Porfiry Petro- vitch could have looked for such an ending t0 their meeting. 121

3. 罪と罰

CRIME AND PUNISHMENT answered. "And I don'tthink I noticed a flat open. 。、市 at do you mean?" Razumihin shouted. "lt was on the day Of the murder the painters were at work, and he was there three days before ! ' 。 、 'A-ach ! I have got it mixed up ! ' Porfiry said. 。、 This business is turning my brain ! lt would be a great thing for us to find out whether anyone had seen them between seven and eight at the flat. '' 、 'You should be more careful," Razumihin said. Porfiry Petrovitch saw them to the door with great politeness. CHAPTER VI 、 'I can't believe it! " said Razumihin as they approached Bakaleyev's house. "Don't believe it, then! ' ' answered Raskolnikov. "lf only you knew how angry I am. Simply because a poor student, made weak by hunger, faints when he hears about the murder Of a person he As they were climbing the stairs tO Bakaleyev's, a man pointed t0 Rask01nikov and shouted t0 the 88

4. 罪と罰

CRIME AND PUNISHMENT Katerina lvanovna's. He would be t00 late for the funeral, but he would be ⅲ time for the dinner and would see Sonia. As he was about to open the door, it opened of itself. There stood yesterday's visitor. He looked as he did yesterday, butthere was a great change in his face. "What do you want? " asked Raskolnikov, almost beside himself with fear. "I have sinned," the man said. "How? ” "By evil thoughts. When you came, perhaps drunk, and asked about the blood and wanted them t0 go t0 the police station with you, I was angry they let you go. ' "Then you came frot れ that house? " "l was standing at the gate with them... don't The scene at the gate came clearly t0 Rask01- nikov's mind. He remembered the voice suggesting they take him tO the police station. SO this was the solution to yesterday's fear. And he had almost done himself in over it ! This man could tell them nothing except that he asked about the flat and the blood. Porfiry had nothing but that, no facts. 。、嶬 s it you who told Porfiry that l'd been there? ' ' Raskolnikov cried. 126

5. 罪と罰

CRIME AND PUNISHMENT [ 0 see you. "See her! On no account!" cried pulcheria Alex- androvna. 。、 What answer did you give him? ' ' asked Dounia. 。、 I said I would not take any message to you. Then he said he would see you without my help. He told me his passion for you had passed. 、、 How do you explain him, Rodya?" 。、 I don't understand him. He offers you ten thousand, yet says he is not well 0 圧 I think him strange... The death 0f Marfa Petrovna has had a great effect on him. "G0d rest her! ' cried Pulcheria Alexandrovna. "I shall always, always pray for her! Where should we be now without this three thousand! ” A half hour later, they were deep in lively talk. "The great thing is," Razumihin said, "we're together. Let me join you and we'll plan a capital business. I have an uncle with a thousand rubles he wants me tO borrow. Let me have a thousand of yours and we have enough for a start. Then Razumihin told them the plan he had in mind. He said most publishers know nothing of what they are selling. For that reason they are usually bad publishers. For the last two years he had been working ⅲ publishers' offices, and had, indeed, been 108

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PART THREE have no right tO break the law, but the other men are above the law because they are extraordinary. "What do you mean? That can't be right! ' ' Razu- mihin said. "That wasn t quite my meaning,' Raskolnikov began. 、 'I don't say extraordinary people must break the law. I only suggested an 'extraordinary' man has a right tO break... certain laws, if it is necessary tO reach his goals. "lf Newton, say, could have made his discoveries only by taking the lives of one man, or a hundred, he had the right, would indeed have been duty bound ... [ 0 do so. Superior people don't stop short at breaking the law if it is Of use to their cause. All great men are criminals. They are above the law.. Their crimes may differ, but for the most part they seek to do away with the present for the sake of the better. 。 "How do you tell who is extraordinary from who is ordinary?" Porfiry asked. "Suppose someone infe- rior thinks they are extraordinary and decides to not obey the law, then. 。、 That mistake only occurs among ordinary peo- ple. Though they have a need to obey, many of them like to think themselves advanced. But they never go far. ' "There's another thing that worries me. Are there 85

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CHAPTER IV Raskolnikov went to where Sonia lived. "lt's you ! GOOd heavens ! ' ' she cried as she let him ln. 、 'l've come tO you for the last time," Raskolnikov said. 、、 Then you are not coming t0 Katerina lvanovna tOI 蝨 orro 嶬” "I shall know tomorrow ... You let this room from the Kapernaumovs?" "Yes... But where did you hear aboutthem?" "Your father told me all about you … how you went out at SiX and came back at nine. Katerina lva- novna used tO beat you, I dare say?" "GOOd heavens ! You know nothing about it. She is so unhappy... She is good! ' ' "They are left on your hands. WiII they stay there? ” "I don't know... The landlady said today she wanted them tO leave. 、 'Katerina lvanovna counts on you?" "Her mind is not right, haven't you noticed? ' ' 111

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CRIME AND PUNISHMENT sister, does their action fit in with murder? ' ' "But . 、、 If the j ewelry is important evidence against him—although his story accounts for them—one must also consider the facts which prove him not guilty. DO you think they will? NO, because he had the jewelry, and 'he tried to hang himself. ''' "The only evidence for his innocence was that they were beating one another and laughing. How does that explain the facts?" 。、 That's easy. The murderer dropped the jewelry in the flat. He was there when Koch and Pestryakov knocked atthe door. When Koch left, the murderer ran down the stairs. He hid ⅲ the flat Nik01ay and Dmitri had just left while the others went up the stairs, then he ran down at the moment the entry was empty. 、。 T00 clever! NO, my boy, t00 clever. 、、 But, why? ' ' 、Ⅵ市 y , because everything fits t00 well. made up. "A-ach ! ' ' Razumihin cried. At that moment the door opened and a man no one knew came in. . it's tOO 40

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PART FIVE sudden fear. "Must I tell her who killed Lizaveta? ” he asked hims elf. He opened the door and she rushed to him. 'lt was fOOlish Of me to C01 れ e away," she said. "What is happening there now? 。 ' He told her Amalia lvanovna had turned them out Of their rooms and that Katerina lvanovna had run Off somewhere 、、 [ 0 seek justice. My God! ' ' she cried, "let's go at once. lose Katerina lvanovna, "She'II come to you. 。 Sonia sat down. he said. "DO you know," he said, "Luzhin would have sent you tO prison if it had not been for Lebeziatnikov and me. If you'd gone t0 prison, what then? ' ' She did not answer. "Let me ask you: Suppose you had known Luzhin's plans, known they'd be the ruin Of Katerina lvanovna, you, and the children. What if it was your decision whether he or they should live? How would you decide which was to die?" "I can't know Divine Providence. Why d0 you ask what can't be answered? ” 。、 Oh, if Divine providence is to be mixed up in it, there's no doing anything. 。、 You'd better say straight out what you want! ' ' 147

10. 罪と罰

PART ONE ln despair, he went [ 0 meet them. If they stopped him, all was lost. But if they let him pass, all was lost, t00. They would remember him. They were a flight away when suddenly he saw, a few steps away, an empty flat with the door wide open. lt was the flat on the second floor where the painters had been at work. He opened the door and hid behind it. They had already reached the landing. They went on to the fourth floor, talking loudly He left and ran down the stairs intO the street. At that moment, he knew, they were at the flat, surprised at finding it not locked. Now they were looking at the bOdies. Before another minute passed they would realize the murderer had just been there and had slipped by them. He was on the stairs Of his own house before he remembered the ax. HOW was he tO put it back and not be seen? The door Of the porter's r00n1 was closed. He had so lost all power of thinking that he walked to the door and opened it. If the porter had answered, he would perhaps have simply handed him the ax. But the porter was not at home, and he succeeded in putting the ax back under the seat. The landlady's door was shut, and he met no one on the stairs. ln his room, he sank int0 a deep sleep. Bits and 21